UNGER James Fredrick

James Unger circa 1975, Apart from a little ….

“To me, it’s supremely important that the faces fit the situation exactly. It’s not  just enough to have everyone smiling. The caption is not the joke. The situation is the joke and the drawing should be setup like a movie director sets up a scene.”

“What I draw aren’t really jokes, you know, just exaggerations of real things. The art is to illustrate some facet of every day existence that people never come to grips with.”                                                                                                                James Unger (Maclean’s)

James Frederick Unger, cartoonist (b London, Eng 21 Jan 1937). Creator of the off-beat comic character “Herman,” Jim Unger dropped out of grammar school in England when he was 16 years old and sold insurance policies before serving for two years in the British Army. He was a police officer, repo man and an advertising layout artist before he immigrated to Toronto in 1968.

Jim Unger was the art director for The Mississauga Times when he came up with the idea for a cheerful oaf, a sort of bumbling blue-collar Everyman which he initially called “Attila The Bum.” He was named “Cartoonist of the Year” by the Ontario Weekly Newspaper Association for three successive years.

Encouraged by friends he began to submit his work to syndicates. First, Unger tried to syndicate his cartoon character through The Toronto Star. It was rejected. In 1974 He submitted it to the Universal Press Syndicate in Kansas City, Missouri, who offered him a 10 year contract. They changed the strip’s name to “Herman.” Although Unger insisted there was not one but a variety of characters.

Its success was overwhelming. “Herman” began in 20 newpapers by April 1979 it was in more than 250 in Canada, the U.S.A. and seven other countries. In 1982 Unger was named the “Best Syndicated Cartoonist” by the National Cartoonists Society. Later “Herman” had an estimated 40 million readers in 25 countries, and a collection of 4000 cartoons is available on CD-ROM. “Herman” was the first cartoon syndicated in a Communist country in 1990 when it was sold to a newspaper in East Germany.

Jim Unger left Canada for the Bahamas in 1984 and retired from cartooning in 1992. “For some reason I get more fan mail than ever,” he said after his retirement. He occasionally updates old cartoons and is said to be creating new material but draws now only when he feels like it. “I doubt I will ever work as a cartoonist full-time again.” he said in 1998. He teamed up with 6 other syndicated cartoonists, including Farcus creator David Waisglass, plus Universal Press Syndicate to create INTRACA in 2001. INTRACA was an intranet feature that used humorous cartoons and motivational quotes to inform and boost employee morale with positive daily messages.

He moved to Saanich British Columbia about 2000. He died May 29, 2012 after a lengthy illness in his residence at Saanich British Columbia. He was survived by two daughters, Karen Gooda and Jenny Hopkins and four grandchildren.

R. MacGregor reported that Toronto cartoonist Ted Martin creator of “Pavlov” thought: “Jim Unger is among the top half dozen cartoonists in the English language. …It is a new type of humour. It’s very sarcastic, very black.”

WORK:

CARTOONIST:

BOOK GRAPHIC COLLECTION:

Content panel:

The 1^st Treasury of Herman. Andrews & McMeel Inc./Universal Syndicate Co., 1979.

Herman: The Fourth Treasury. Andrews & McMeel Inc./Universal Syndicate Co., 1984.

Herman: The Third Treasury. Andrews & McMeel Inc./Universal Syndicate Co., 1982.

The Second Herman Treasury. Andrews & McMeel Inc./Universal Syndicate Co., I980.

Content panel (book, 20 cm X 13.7 cm) :

“And you wonder Herman, why I never want to go to Italian restaurants.”: Sheed, Andrews & McMeel Inc./Universal Syndicate Co., 1977.

“Apart from a little dampness, Herman, how’s everything.” Sheed & Ward Ltd./Universal Syndicate Co., 1975.

“Where’s the kids, Herman.” Sheed & Ward Ltd./Universal Syndicate Co., 1978.

Content panel (book, 14 cm X 21 cm):

“Herman, you were a much stronger man on our first honeymoon.” Andrews & McMeel Inc./Universal Syndicate Co., 1983.

The Latest Herman. Andrews & McMeel Inc./Universal Syndicate Co., 1981.

Content panel, (book 128 cm X 128cm):

Herman And The Extraterrestrials. Andrews & McMeel Inc./Universal Syndicate Co., 1983.

Herman For Lovers. Andrews & McMeel Inc./Universal Syndicate Co., 1982.

Herman For Pet Fanciers. Andrews & McMeel Inc./Universal Syndicate Co., 1982.

Herman For The Hospitalized. Andrews & McMeel Inc./Universal Syndicate Co., 1982.

Herman MD. Andrews & McMeel Inc./Universal Syndicate Co., 1983..

Herman Out To Lunch. Andrews & McMeel Inc./Universal Syndicate Co., 1983.

Content strip:

A Collection of Herman Colour Comics. Andrews & McMeel Inc.: A Universal Syndicate Co., 1983. Herman Sundays. Andrews & McMeel Inc./Universal Syndicate Co., 1982.

People Are Starting To Complain. Andrews & McMeel Inc./Universal Syndicate Co.,1984.

MERCHANDISE:

Book:

Herman’s Important (and not so important) Stuff To Do Book. Andrews & McMeel Inc./ Universal Syndicate Co., 1981.

Herman’s “People I’m not trying to forget immediately” Address Book. Andrews &McMeel Inc./Universal Syndicate Co., 1981.

SOURCE:

Article book dust jacket:

“Apart from a little dampness, Herman, how’s everything.” Sheed & Ward Ltd., 1975. Back cover photo.

Herman: The Fourth Treasury. Andrews & McMeel Inc.: A Universal Syndicate Co., 1984.

Article magazine:

Maclean’s, 16 April 1979: “Jim Unger: the mind behind Herman.” Writ., R. MacGregor. 8-10.

Article newspaper:

Globe & Mail, 14 April 1984: “Striving for the perfect goof”. Writ., Andy Juniper: Entertainment 12.

ULUSCHAK Edd

                    Photo by Arnie Advision from The World of Uluschak Ninth Annual Collection.

“His cartoons about racial or social discrimination have all the subtlety  of a mugging. Middle-class cartoonists dealing with the same subjects often  take refuge in heavy symbolism. Uluschak uses a bare-fisted approach inspired by a gut reaction rather than a political or moral position …”                                            Desbarates Peter & Mosher Terry, The Hecklers, 182.

He was born 1943 near Prosperity Alberta where his parents settled on a homestead after imigrating from Poland. The family moved into a tough immigrant’s district in Edmonton when he was 10 years old.

He had no formal art training after high school, but began freelancing in the Edmonton area doing illustrations and working for a trade magazine publisher. Some of his first cartoons appeared in The Roughneck. In 1968, he replaced Yardley Jones as editorial cartoonist at the Journal [Edmonton] when the latter left for Toronto.

He won National Newspaper Awards for 1969 and 1971. He also won the Basil Dean Memorial Award for Outstanding Contributions To Journalism. His work has appeared in exhibitions in Greece, Bulgaria, Japan, Poland, Austria, Czechoslovakia, Italy and Germany.

His work was syndicated to more than a hundred newspapers and magazines including Punch, Time, U.S. News And World Report, and The National Review.

WORK:

CARTOONIST:

BOOK GRAPHIC ANTHOLOGY:

Content cartoon editorial:

The Art of Political Cartooning in Canada/1980. Ed., Steve Bradley. For., Robert LaPalme.Virgo Press, Oct. 1980: 19, 49, 51, 56, 58, 69, 85, 97, 146, 152, 159, 163, 191, Front cover.

Best Canadian Political Cartoons, 1983. Ed., N.M. Stahl. For., David Rosen. McClelland & Stewart Ltd. Sept. 1983: 23, 38, 40, 50, 58, 70, 82, 90, 180, 202.

Best Canadian Political Cartoons, 1984. Ed., N.M. Stahl. For.,Robert LaPalme. McClelland & Stewart Ltd. Sept. 1984: 23, 40, 52, 87, 105, 130, 135, 139.

Caricature . Cartoons Canada. Ed., Terry Mosher. Linda Leith Publishing, 2012: 13.

Portfoolio, The Year 85 In Canadian Caricature. Ed., Guy Badeaux & Alan King. Writ., Charles Gordon. Ludcom Inc. 1985.

Portfoolio, The Year 86 In Canadian Caricature. Ed., Guy Badeaux. Writ., Charles Gordon. Ludcom  Inc. 1986.

Portfoolio, The Year 87 In Canadian Caricature. Ed., Guy Badeaux . Montréal: Ludcom Inc. 1987.

1988 Portfoolio, The Year In Canadian Caricature. Ed., Guy Badeaux . Writ., Charles Gordon. Eden  Press. 1988.

Portfoolio: 1989 in Canadian Caricature. Ed., Guy Badeaux . Writ., Charles Gordon. Macmillan of Canada, 1989.

Portfoolio …: The Year in Canadian Caricature. Ed., G. Badeaux . Writ., C. Gordon. Macmillan of Canada, …
6: 1990.	7: 1991.	8: 1992.	9:1993.

 

Portfoolio …: The Year’s Best Canadian Editorial Cartoons. Ed., Guy Badeaux . Writ., Ken MacQueen Macmillan of Canada, ….
10: 1994.	11: 1995.	12: 1996.

 Portfoolio 13: The Year’s Best Canadian Editorial Cartoons. Ed., Guy Badeaux . Writ., Jay Stone Macmillan of Canada, 1997.

 BOOK GRAPHIC COLLECTION:

Content cartoon editorial:

The World of Uluschak. Edmonton Journal, no date.

The World of Uluschak, … Annual.: Edmonton Journal, no date except where noted.
2nd:.	3rd: 1975.	4th: 1976.	6th.	7th.	8th.	9th.	10th.

SOURCE:

Article book:

The Hecklers. Writ. & Ed.., Peter Desbarates & Terry Mosher. McClelland & Stewart Ltd., 1979: 181-182, 252.

The World of Uluschak, 4^th Annual.: Edmonton Journal, 1976.

The World of Uluschak, 8^th Annual.: Edmonton Journal, no date.

GALLERY:

 The World of Uluschak: 3.

 The World of Uluschak 10^th Annual: back cover.

 Portfoolio 12: 157.

 

UHLICH Eric

WORK:

ILLUSTRATOR:

PERIODICAL TEXT & GRAPHIC ANTHOLOGY:

Content article:

Owl, 37-2, Mar. 2012: “Cutting Class: Should schools save music classes? Writ., Craig Battle: 10-11.

 

QUARTER Gibson

WORK:

ILLUSTRATOR:

BOOK GRAPHIC ANTHOLOGY:

Content:

Portrait:

Monstrosity, v.2, 2014: No title.

Story:

Monstrosity, v.1, 2013: “Princess Patty.’ Writ., Fred Kennedy.

QUADRANT MAGAZINE

See

HSU Peter

QUADRANT PUBLICATIONS

 

QUADRANT PUBLICATIONS                                                                                            Location: 31 Hurlingham Crescent, Don Mills, Ontario.                                                      Publisher, Peter Hsu.                                                                                                        Editor: Ron Kasman (issues 1-4).

Contributor:                                                                                                                        Peter Hsu, Tara Balance (?), Ron Kasman, Dave Darrigo, Barry King, Steve LeBlanc, Gabriel Morrissette, Mark Shainblum, Mel Taylor, Rick Taylor.

Feature:                                                                                                                              Hellrazor, Sleazoids, Spacelab.

Quadrant Publications owned by Peter Hsu published Quadrant or Peter Hsu’s Quadrant a vehicle for his creation “Hellrazor”. It also showcased Hsu’s other creations “Sleazoids” and Spacelab, plus stories: Steve LeBlanc’s “The Girl Who Could See Tomorrow”( Quadrant 7); “ The Love Of A Good Woman by Mark Shainblum and Gabriel Morrissette, (Quadrant 2)“The New Flying Tigers” by Dave Darrigo and Rick Taylor (Quadrant 6)  and “The Human Factor” by the cousins Mel and Rick Taylor (Quadrant 4 & 5). These stories are quite unlike the main feature. Indeed, Rick’s wife speculated that his students’ parents would not be happy if they knew their children’s teacher was being published in a raunchy magazine.

Quadrant took over “Elfwarrior” from Adventure Publications and published Elfwarrior 4 July 1988.

PRODUCT:

BOOK GRAPHIC:

Hellrazor. Writ., Tara Balance. Illus., Peter Hsu. Quadrant Publications, 1983. Ltd. Edition.

PERIODICAL GRAPHIC:

Peter Hsu’s Quadrant ….no date:  Colour cover, black and white interior
1-1, 1983.	1-2.	1-3.	1-4.	1-5.	1-6.	1-7.

SOURCE:

Periodical graphic:

“Quadrant Report.” Writ., Peter Hsu. Elfwarrior, 3. April1988: Inside Back cover.

GALLERY:

    Illus., Peter Hsu. Peter Hsu’s Quadrant, 1-1: Front cover.

           Peter Hsu’s Quadrant, 1-7: Front cover. Illus., Peter Hsu. This cover has nothing to do with the contents but does tie in to Elfwarrior, a Peter Hsu creation for Adventure Publications

 

QITSUALLIK-TINSLEY Rachel & Sean

This prolific husband and wife team won the 2015 Burt Award for First Nations, Métis and Inuit Literature for Skraelings illustrated by Andrew Trabbold.

They have also written Qanuq Pinngumirmata a book of Inuit mythology which was later republished as How Things Came To Be: Inuit Stories Of Creation, Ajjitt, Raven & Loon, The Walrus Who Escaped, Tuntit: Mysterious Folk Of The North, Stories Of Survival And Revenge From Inuit Folklore and Why Monsters.

Rachel who is an Inuktitut translator and a scholar specializing in world religions and cultures has also written The Shadows That Rush Past and Under The Ice. She was awarded a Queen Elizabeth II Diamond Jubilee Medal for her articles and books about Inuit magic and lore.

Sean is a folklorist and fantasist specializing in mythology, magic and Inuit lore. He was second place finalist in the Galaxy Press Writers of The Future competition for his science fiction story “Green Angel”. It appeared in volume XXI of the series.

WORK:

WRITER:

BOOK GRAPHIC ANTHOLOGY:

Content story:

Moonshot. v. 1. Ed., Hope Nicholson. Alternate History Comics Inc., 2015: “The Qallupiluk: Forgiven.” Illus., Menton 3: 47-66.

Moonshot: the Indigenous Comics Collection, v. 2. Ed., Hope Nicholson. Alternate History Comics Inc., 2017: “Winter’s Shell.” Illus., Alexandria Neonakis: 19-32.

 Moonshot The Indigenous Comics Collection, v.3. Ed., Elizabeth LaPensée & Michael Sheyahshe. Avani/Inhabit Education Books Inc., 2020: “Waterward”. Illus., Sadekaronhes Esquivet: 76-88..

BOOK TEXT ANTHOLOGY:

Content story:

Taaqtumi: An Anthology of Arctic Horror Stories. Inhabit Media Inc., 2019: “Lounge”: 53-103.

BOOK TEXT & GRAPHIC:

Content anthropology:

Tuniit: Mysterious People of the North. Illus., Sean Bigham. Inhabit Media Inc., 2014.

SOURCE:

Article book:

Moonshot. Alternate History Comics Inc., 2015: “Biographies.” 173.

Moonshot: the Indigenous Comics Collection, vol. 2., 2017: “Biographies”: 153.

Tuniit: Mysterious People of the North., 2014: “Contributors”: 31.

Web:

“Rachel Qitsualik-Tinsley.” Wikipedia: the free encyclopedia. 10 April 2018. Accessed 20 April 2018.

“Sean Qitsualik-Tinsley.” Wikipedia: the free encyclopedia. 7 March 2018. Accessed 20 April 2018.

KULBACH René

The brother of Andre Kulbach, he was born in Russia (Estonia) in 1908 and lived in the Crimea on the Black Sea as a young man. After the Russian Revolution he lived in Germany for three years then in Latvia for five. He was a self taught painter. From about five years old he began drawing animals which were his favourite subject. Much of his experience was gained sketching in the Zoological Gardens in Stuttgart, Frankfurt-on-Main and Hamburg. It was an excellent preparation for his subsequent cartoon creation “Tang”.

April 2, 1928 he moved to Canada and travelled extensively: harvesting, fruit-picking, cow punching, painting and sketching. In 1936 he established a studio in Toronto and became part of a well known colony of writers and artists living and working on Granville Street. During this time he painted “beautiful” murals on the massive ceiling of the Crystal Ballroom in Toronto’s Royal York Hotel.

When World War 2 broke out he co-founded Hillborough Studio with his brother André, Adrian Dingle and an investor. It seemed a natural extension of his sketching practice in the zoological gardens of Germany, that his contributions to Triumph Adventure Comics should be cartooning “Out Of The Woods” and illustrating “Tang” the story of a horse. Adrian Dingle in a 1973 interview said of him, “René was extremely good at drawing animals … He was fantastic”.

When Hillborough merged with Bell Features late in 1941 Kulbach moved to the new company and now cartooned “Tang”. Indeed his name became synonymous with this feature which he seems to have cartooned to the end of the war suggesting that he continued to produce for Bell even when he was in the R.C.A. F. He took over “Dixon Of The Mounted” from T.A. Steele and continued it till he joined the R.C.A.F.

As the war continued Kulbach joined the R.C.A.F. Service Police and was stationed at Trenton Air Force Base. There, in his leisure time he began painting a mural in the Sergeant’s Mess keeping the work in progress hidden behind sheets until in early 1944 the members were astounded to see the east end wall filled with what Kulbach called “The Procession of the Goddess of Plenty”. The Goddess was carried by a golden carriage loaded with fruits and vegetables and accompanied by Bacchus the God of Wine and merriment astride a donkey and Pan, God of the Marshes and Friend of Wild Creatures. Centaurs and other creatures completed the gigantic mural.

This was the first painted by Kulbach at the base. Another mural, interpreted the story of Canada from prehistoric times to Confederation and covered the walls of the stairways leading up to the Library above the airmen’s mess. Yet another showed Indians attacking a covered wagon and was located in the Wintergarden section of the Sports Hanger.

In addition he illustrated a story about the town of Trenton depicting its lumber industry in the late 1800’s and the little known film industry located in the town in the early 1900’s. This was published in the Air Base’s newspaper Contact. He also produced a full page illustration in Contact’s VE Day edition which depicted the part the station played in achieving victory over the Axis.

He was discharged from Trenton in 1945. In Joke Comics 23, Bell Features reporting on all the Bell staff who were being released from the armed services and were returning to the company stated: “R.C.A.F. SPECIAL POLICE – Rene is the poster and mural artist of the Air Force. He also speaks [m] any of the European languages [7]. René has carried on his strips “Tang” and “Dixon of the Mounted” all through the war and most of the time under VERY difficult conditions. His latest effort is “Out of the Woods” a very clever animal strip.” This was the first time “Out of the Woods” appeared under the Bell banner.

In 1948 he painted another large mural in the waiting room in Sunnybrook Hospital. He died in the 1950’s.

WORK:

CARTOONIST:

PERIODICAL GRAPHIC ANTHOLOGY:

Content:

Information:

Active Comics … no date. “Know Your Birds.”…. Bell Features & Publishing. Black & white.
25: Back cover.	26: Back cover.

Active Comics, “Know Your Animals.” Bell Features & Publishing. Black & white.

Serial:

Active Comics … no date: “Dixon of the Mounted.”…. Bell Features & Publishing. Black & white.
9: 1-8.	10: 1-8.	11: 1-8.	12: 1-8.	15: 1-7.	16: 1-7.	17: 1-7.	18: 23-29.

Active Comics, 14, no date: “Dixon of the Mounted.” Car,’ unidentified, probably René Kulbach: 1-8.

Bell Features. Black & white.

Triumph Adventure Comics…: “Out of the Woods.” ….Hillborough Studios. Black & white.
1-1, Aug.1941: 64.	1-4, Nov.1941: 64.	1-5, Jan.1942: 64.	1-6, Feb. 1942: 64.

Triumph Comics, no number, no date: “Tang”: 37-48. Bell Features & Publishing. Black & white.

Triumph Comics… no date: “Tang: …”: The Capture of ‘Grey Owl’’’: …. Bell Features & Publishing. Black & white.

8: “…A Story of the Western Range: The Capture of ‘Grey Owl’’’: 37-48. 9: “…:A Story of the Western Range: The Capture of ‘Red’”: 37-38.

Triumph Comics … no date: “Tang.” Bell Features & Publishing. Black & white.
10: 37-48. 11: 36-47. 12: 35-46.	13: 26-37. 14: 26-37. 15: 24-34.	16:26-35.	19: 10-13,16,15,14 20: 10-16.	23:34-38.

ILLUSTRATOR:

PERIODICAL GRAPHIC ANTHOLOGY:

Content serial:

Triumph Adventure Comics,…: “Tang:….” Writ., Frank Brookwood: …. Hillborough Studio. Black & white.

1-1, August1941: “…: The Story of a Colt”:51-62. 1-2, September 1941: “…:The Story of the Western Range”: 42-53. 1-4, November 1941: “…: The Story of the Western Range”: 52-63.

Triumph Adventure Comics,…: “Tang:….” Writ., Herbert Ohrt: …. Hillborough Studio. Black & white.

1-5, January1942: “…: The Story of the Western Range”: 54-63. 1-6, February 1942: “…: The Story of the Western Range”: 54-63.

Cover front:

Active Comics, 10, no date. “Dixon of the Mounted.” Bell Features & Publishing

Triumph Adventure Comics, 1-3, August 1941. Hillborough Studio.

SOURCE:

Article book:

Guardians of the North: The National Superhero in Canadian Comic-Book Art. Writ., John Bell.

National Archives of Canada, 1992:5. Print. A catalogue for the exhibit of the same name.

Sgt. Sargent’s Trenton. Writ., J. William Sargent. Belleville: The Hanger Bookshelf, 1985: 78-82.

Article periodical:

Joke Comics, 23, no date: “Welcome Home Gang”: 26.

Now and Then Times, 1-2, Oct.1973: “A conversation with Adrian and Pat Dingle and Bill Thomas.” Writ., Dave Sim: 27+.

.

Triumph Adventure Comics, 1-3, August 1941: Front cover.

KYLE Patrick

This Torontonian is cofounder and editor of Wowee Zonk a contemporary cartoon book anthology featuring new narrative artists from Toronto. He was nominated for Doug Wright and Ignatz Awards for his cartoon book series Black Mass and Distance Mover.

His illustrations have appeared in Esquire, New York Times, Transworld Skateboarding Magazine, Vice Magazine, and Walrus. He has also participated in the North Wing Project. 

He and Michael DeForge partner in the band Creep Highway.

WORK:

CARTOONIST:

BOOK GRAPHIC:

Content novel & Cover book front & back:

Distance Mover, Koyama Press, 2014.

Roaming Foliage. Koyama Press, 2018.

The Death Of The Master, Koyama Press, October 2019.

BOOK GRAPHIC COLLECTION:

Content story & Cover front & back: :

Don’t Come Here. Koyama Press, May 2016.

Everywhere Disappeared. Koyama Press, September 2017.

PERIODICAL TEXT ANTHOLOGY:

Content story graphic:

“The Party.” Descant, 164, Spring 2014: 210-213.

PERIODICAL TEXT & GRAPHIC ANTHOLOGY:

Content story graphic:

“The North Wing: Selections from the Lost Library of CanLit Graphic Novels Episode Twenty, Andre Alexis’ Fifteen Dogs, as adapted by Patrick Kyle.” Canadian Notes & Queries, 100, Fall 2017: 40-41.

SOURCE:

Article periodical:

Descant, 164, Spring 2014: 252.

GALLERY:

 Everywhere Disappeared. September 2017 Front cover. The black border is not part of the cover but was used to set it off from white background.

 The Death of The Master. 2019: Front cover.

 The Death of The Master. 2019: Back cover. Although this excerpt from the novel is in colour, the novel is in black & white.

KYLE James Fergus

He usually signed “Fergus Kyle”

Born in 1876 in Hamilton Ontario.

He was a teenaged reporter with The News [Toronto]. He later became a cartoonist and news illustrator for the Globe [Toronto]. He also worked as a parliamentary reporter. At the turn of the century, his work appeared in Canadian Magazine, The Courier, and Saturday Night, and a humour magazine The Moon.

Kyle was unusual among Toronto cartoonists being a Liberal and strong supporter of Laurier. He drew several campaign posters for the party. When Borden came to power, Kyle became a strong critic of Borden’s policies.

He enlisted in 1916 and served in an artillery unit, where he suffered a foot injury during World War 1.

He later moved to The Toronto Star. His paintings in A Picture History of Canada suggests he was also comfortable painting in oils and was perhaps a book illustrator.

He died in 1941.

WORK:

ILLUSTRATOR:

BOOK TEXT & GRAPHIC:

Content history:

A Picture History of Canada. Writ., Jessie McEwen & Kathleen Moore. Thomas Nelson & Sons Ltd. No date: ….
10: The Vikings Discover America. 18: An Indian Village. 28: The Founding Of Montreal. 40: The Building Of The Griffen.	78: A Political Meeting In Lower Canada. 96: Sir Adam Beck Turning On The Hydro-Electric Current At Baden. 100: Airplane and Forest Fire. 102: Building The Motor Roads.

SOURCE:

Article book:

The Hecklers. Writ. & Ed.., Peter Desbarates & Terry Mosher. McClelland and Stewart Ltd., 1979: “ Fergus Kyle”: 81-82, 241.

Article periodical:

Canadian Bookman, Jan. 1919: “Some Canadian Illustrators. “ Writ., St. George Burgoyne: 24.

Maclean’s Magazine, Mar. 1914: “The Cartoonmen of Canada.” Writ., John Edgecumbe Staley: 44.

Article newspaper:

Toronto Star, 11 Jan.1992: “Merchants of Mirth and Malice.” Writ., Robert Crew: D5.

GALLERY: