DEINES Brian

DEINES Brian

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE OF PERSON\D\DEINES Brian, Caribou Song, 2001, dj. .jpg                      Caribou Song, 2001: dust jacket.

“I enjoy seeing the synergy between the text and my illustrations in print and how each makes the whole greater than they are on their own. ”                                      fitzhenry.ca/brian-deines

Born in Settler Alberta.

He grew up in Red Deer Alberta, graduating from the Alberta College of Art. He received a Chalmers Arts Fellowship from the Ontario Arts Council and lives in Toronto (2011).

WORK:

ILLUSTRATOR:

BOOK TEXT & GRAPHIC:

Content song lyrics & Cover book & dust jacket front & back :

The Circle Game. Writ., Joni Mitchell. Dancing Cat Books/Cormorant Books Inc., 2011.

Content song lyrics & Cover book & dust jacket outside wraparound + inside wraparound (different illustration):

Caribou Song. Writ., Tomson Highway. HarperCollins Publishers Ltd., 2001.

Dragonfly Kites. Writ., Tomson Highway. HarperCollins Publishers Ltd., 2002.

Fox On Ice. Writ., Tomson Highway. HarperCollins Publishers Ltd., 2003.

PERIODICAL TEXT ANTHOLOGY:

Cover front:

Radio Guide, 5-6, June 1985.

SOURCE:

Article book:

The Circle Game. 2011: “Brian Deines”: 31.

Internet:

fitzhenry.ca/brian-deines

GALLERY:

A magazine cover with a couple of tickets Description automatically generatedRadio Guide, 5-6, June 1985.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DEINES Brian, The Circle Game, 2011, bc.jpgThe Circle Game, 2011: From back cover.

DEFORGE Michael

DEFORGE Michael

“I get antsy when I’m not working a certain amount a day. I like putting stuff out on a steady basis and keeping myself to tight deadlines.”                                        Toronto Star, 24 January 2015: The parallel universe of Michael DeForge”: E6.

Born 1987 in Ottawa.

As a child Michael read his parents’ comic strip collection, including “Far Side”, “Calvin and Hobbs”, and “Peanuts”. He would trace the characters from these strips. He identified with Schroeder, Charlie Brown’s piano-playing friend.

“Schroeder getting upset when his work was interrupted seemed super relevant to me. He was dedicated to his craft; everything else around him was a distraction.” (E6)

In high school in Ottawa, he produced comic books and fanzines, and posters for local band concerts.

In 2005 he moved to Toronto to attend the philosophy program at the University of Toronto. He dropped out after two years. His online comics developed a small fan base and caught the eye of Annie Koyama. Her publishing company produced his first full length graphic periodical Lose, 1. Based on this acceptance he became a full time cartoonist. He received the 2010 Doug Wright Best Emerging Talent Award for Lose #1 and 2011 Doug Wright Pigskin Peters Award for Spotting Deer.

As of January 2015, he is working as prop designer Cartoon Network’s Adventure Time in the mornings. In the afternoons and evenings he worked on his own comics such as Very Casual and Lose. Some nights he performs at various night clubs, with his band mate Patrick Kyle in the punk duo Creep Highway. In the fall of 2014, they did a month long tour of the U.S. doing comic book shops by day and clubs by night promoting books.

“His stories are largely about metamorphosis – growing becoming, especially in a way that feels uncontrollable – and he animates that with Cronenbergian panache bodily structures burst out of their seams or sprout appendages. … DeForge’s comic universe reflects the dark corners of our real one, but – sensitive and hopeful storyteller that he is – he hasn’t forgotten about the exuberance, wonder and happiness there either.” (Hampton: E6)

WORK:

CARTOONIST:

BOOK GRAPHIC:

Content novel & Cover book front:

Familiar Face. Drawn & Quarterly, March 2020.

Content novel & Cover book front & back:

Ant Colony. Drawn & Quarterly, January 2014.

Brat. Koyama Press, September 2018.

Big Kids. Drawn & Quarterly, July. 2016.

First Year Healthy. Drawn & Quarterly, Jan. 2014.

Leaving Richard’s Valley. Drawn & Quarterly, March 2019.

Sticks Angelica Folk Hero. Drawn & Quarterly, March 2017.

Stunt. Koyama Press, September 2019.

BOOK GRAPHIC COLLECTION:

Content story & Cover book front & back:

Lose No. 2: Toronto: Koyama Press, Spring 2010.

Lose No. 4: The Fashion Issue. Toronto: Koyama Press, 2012.

Lose No. 5: The Crime Issue. Toronto: Koyama Press, 2013.

Lose No. 6: The Clubs Issue. Toronto: Koyama Press, September 2014.

Very Casual. Toronto: Koyama Press, 2013.

A Western World. Toronto: Koyama Press, May 2018.

BOOK TEXT & GRAPHIC ANTHOLGY:

Content story:

Drawn and Quarterly: Twenty-Five Years …. Drawn & Quarterly, May 2015: “Development Hell.” 720-724.

PERIODICAL TEXT & GRAPHIC ANTHOLOGY:

Content story:

Canadian Notes & Queries, 87, Spring 2013: “The North Wing: Selections from the Lost Library of CanLit Graphic Novels Episode Eight, Paul Quarrington’s, ‘Whale Music’, as Adapted by Michael Deforge.” 60-61.

Descant, 164, Spring 2014: Untitled: 64-67.

Taddle Creek, XIX-1, 36, Winter 2015-2016: Untitled.

ILLUSTRATOR:

BOOK TEXT & GRAPHIC:

Content back end papers & Cover book back:

Drawn and Quarterly: Twenty-Five Years …. Drawn & Quarterly, May 2015:

PERIODICAL TEXT:

Content story:

The Walrus, Dec. 2019: “The Sail and Scupper.” Writ., Georgia Ohm: 45.

SOURCE:

Article book:

Drawn and Quarterly: Twenty-Five Years …. Drawn & Quarterly, May 2015: Untitled. Writ., Tom Devlin. 718-719.

Article periodical:

Descant, 164, Spring 2014: “Contributor Notes”: 250.

Walrus, 16-5, June 2019: “Tails of the City”: 62-65. Principally of review of DeForge’s Leaving Richard’s Valley.

Newspaper:

Toronto Star, 24 January 2015: “The parallel universe of Michael DeForge.” Writ., Chris Hampton. E6.

GALLERY:

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DEFORGE Michael, Taddle Creek, 36, Winter 2015,16_0001.jpgTaddle Creek, XIX-1, 36, Winter 2015/2016: Untitled: 38.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DEFORGE Michael, Taddle Creek, 36, Winter 2015,16_0002.jpgTaddle Creek, XIX-1, 36, Winter 2015/2016: Untitled::9.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DEFORGE Michael, Brat, 2018, bc.jpgBrat, September 2018: Back cover.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DEFORGE Michael, Walrus, June 2019, 63.jpgLeaving Richard’s Valley, March 2019: 273.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DEFORGE Michael, Walrus, June 2019, 64.jpgLeaving Richard’s Valley, March 2019: 428.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DEFORGE Michael, The Walrus, Dec. 2019, 44.jpgIllustration for “The Sail & Scupper.” Writ., Georgia Ohm. The Walrus, Dec. 2019: 45.

DEBON Nicolas

DEBON Nicolas

Born 22 November 1968 in Nancy France.

He attended l’École nationale supéreure de Nancy, then worked in the contemporary visual arts department with the French Ministry of Foreign Affairs. He moved to the French Consulate in Toronto worked there for ten years, during which time he became a Canadian citizen. He returned to France and as of 2005 was living near Paris France but he keeps in touch with the Canadian literary scene.

While in Toronto he began working on children’s books. He has won the Boston Globe-Horn Award for the Strongest Man In The World, the story of Québecois Louis Cyr and was nominated for Governor General’s Awards for his Four Pictures By Emily Carr and for his illustrations in Dawn Watch.

For other Europeans who explore Canadian themes see DAN COOPER and GLENN GOULD.

WORK:

CARTOONIST:

BOOK GRAPHIC:

Content biography & Cover book front & back and dust jacket front & back:

Four Pictures By Emily Carr. Groundwood Books/Douglas & McIntyre, 2003.

The Strongest Man In The World: Louis Cyr. Groundwood Books/House of Anansi Press, 2007.

ILLUSTRATOR:

BOOK TEXT & GRAPHIC:

Content story & Cover book & dust jacket front & back:

The Red Sash. Writ., Jean E. Pendziwol. Groundwood Books/House of Anansi Press, 2005.

SOURCE:

Article book:

The Red Sash, 2005: Dust jacket..

Internet:

“Nicholas Debon – Personal Addresses, Career, honours”. https://biography.jrank.org/pages/507/Debon-Nicolas.html  Accessed 22 November 2017.

DEAS Mike

DEAS Mike

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE OF PERSON\D\DEA Mike, Tank & Fizz, Case Of Slime Stampede, 143_0001.jpg                                    Tank & Fizz: The Case Of The Slime Stampede. 2015: 143

Grew up on Salt Spring Island, British Columbia and after world travel returned there.

Studied in the Commercial Animation Program at Capilano College in Vancouver. He has illustrated the graphic book series “Graphic Guide Adventure” and “Tank & Fizz” for writer Liam O’Donnell.

WORK:

ILLUSTRATOR:

BOOK GRAPHIC:

Content novel & Cover book front & back:

Graphic Guide Adventure Series: “…”. Writ., Liam O’Donnell. Orca Books, ….
Ramp Rats. 2008. Soccer Sabotage.2009. Wild Ride, 2007.

 

BOOK TEXT & GRAPHIC:

Content biography & Cover book wrap around:

Meet Chris Hadfield. Writ., Elizabeth MacLeod. Scholastic Canada Ltd., 2018.

Content story & Cover book front & back:

Tank & Fizz Series: “…”Writ., Liam O’Donnell. Orca Book Publishers.
The Case Of The Missing Mage, 2017. The Case Of The Slime Stampede, 2015

SOURCE:

Article book:

Tank & Fizz: The Case Of The Missing Mage. 2017: “Mike Deas”: 197.

Tank & Fizz: The Case Of The Slime Stampede. 2015: “Mike Deas”: 143.

Internet:

Mike Deas https://deasillustration.com/blog/

GALLERY:

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DEA Mike, Wild Ride, 2007, fc.jpg

Wild Ride, 2007: Front cover.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DEAS Mike, Tank & Fizz, 2017, fc.jpg

From front cover, Tank & Fizz: The Case Of The Missing Mage, 2017.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DEAS Mike, Meet Chris Hatfield, 2018, fc.jpg

From front cover, Meet Chris Hadfield, 2018.

 

DEADLINE DICK

DEADLINE DICK

According to Ed Furness this character originated at Fawcett Publications but Anglo-American employee Amby Fish was the cartoonist throughout.

The character began in Three Aces issue1-5 as a wise cracking reporter with a jealous female reporter partner named Hep. They hunted out spies. In issue 1-8 Hep was replaced by a big clumsy cameraman Runt Rutch. By issue 2-1 February 1943 at least, Deadline Dick had become a costumed hero who used a serum to gain extraordinary physical powers. He had picked up a new partner costumed hero Doc Gordon. After issue 2-3 the character was dropped.

MEDIUM:

PERIODICAL GRAPHIC ANTHOLOGY:                                                                            Published by Anglo-American Publishing.

Content serial:

Three Aces Comics…: “Deadline Dick, Crime Reporter.” Car., T.A. Fish: … Black & white.
1-5, May 1942: 47-62.

1-6, June 1942: 48-63.

1-8, September, 1942: 40-51.

1-9, October 1942: 52-63.

2-1, February 1943. 45-52.

2-2, March, 1943: 45-52

2-3, April, 1943: 45-52. Final appearance of “Deadline Dick.”

SOURCE:

Interview:

With Ed Furness, November 27, 1985.

GALLERY:

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE CARTOON\IMAGE CARTOON D\DEADLINE DICK, 3 Aces Comics,  1-5, May 1942, 47.jpg 3 Aces Comics, 1-5, May 1942: 47.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE CARTOON\IMAGE CARTOON D\DEADLINE DICK, Three Aces Comics, 2-3, April 1943, 51.jpgThree Aces Comics, 2-3, April 1943: 51

DEA Patrick

DEA Patrick

Born 1965 in Montréal.

Initially worked as a caricaturist for the magazines Safarir, and later Kamikaz, he became a freelance cartoonist working for La Presse [Montréal], Le Journal de Montréal, McDonald’s, Coca-Cola, Loto-Québec among others. He is also a musician.

WORK:

CARTOONIST:

BOOK GRAPHIC ANTHOLOGY:

Content editorial cartoon:

Portfoolio 18: The Year’s Best Canadian Editorial Cartoons. Ed., Guy Badeaux. Writ., Scott Feschuk. McClelland & Stewart Ltd., 2002.

Portfoolio …. The Year’s Best Canadian Editorial Cartoons. Ed. & Writ., Guy Badeaux . McArthur & Co. …
19, 2003. 20, 2004. 21, 2005.

Portfoolio 22: The Year’s Best Canadian Editorial Cartoons. Ed., & Writ., Warren Clements. McArthur & Co. 2006.

SOURCE:

Article book:

Portfoolio 18: The Year’s Best Canadian Editorial Cartoons, 2002: “Patrick Dea”: 149.

Portfoolio 22: The Year’s Best Canadian Editorial Cartoons,. 2006: “Patrick Dea”: 149.

De ADDER Michael

de ADDER Michael

A person in a suit Description automatically generated

You Might Be From Canada If …, 2017, Back cover.

Born 1967 in Moncton New Brunswick.

In 1991 he graduated from Mount Allison University with a Fine Arts Degree. He initially attempted to make a living as a fine artist but gradually switched to freelancing editorial cartoons for major dailies in the Maritimes. In 1997 he created and focused on a cartoon strip about Canadian politics called “Cabinet Shuffles”. In 2016, it continues to appear on the internet. Also in 1998, he became the main contributor to the Saint John Times-Globe, The Coast, a weekly newspaper out of Halifax, and filled in for Bruce McKinnon at the Halifax Chronicle-Herald . In 1999, he added The Hill Times, a weekly newspaper in Ottawa.

In 2000 he became a full time cartoonist at Daily News [Halifax]. This tabloid ceased operations in February 2008. In 2009, he was the editorial cartoonist for The Times and Transcript [Moncton] and The Daily Gleaner {Fredericton]. His work appeared in The Hill Times and Metro Canada and he was syndicated across North America through Artizans. In the same year he was animating a weekly cartoon for CBC Nova Scotia which was still a feature in 2011. In 2009, he won an Atlantic Journalism Innovation award for his television animation and Atlantic Journalism Awards (2001, 2002, 2006, 2008, 2009, 2011) for his editorial cartooning. As can be seen below he was a regular contributor to Maclean’s and the Toronto Star in the first decades of the 21st century.  In 2014, he won the first George Townsend Award.

In 2021, he drew a series of editorial cartoons for The Brief an online Friends of Canadian Broadcasting newsletter.

WORK:

CARTOONIST:

BOOK GRAPHIC ANTHOLOGY:

Content editorial cartoon:

Caricature . Cartoons Canada. Ed., Terry Mosher. Linda Leith Publishing, 2012: 26.

Drawing Opinions: MacKinnon de Adder & More: Cartoons and Stories that inspired them. The Chronicle Herald, 2013.

Portfoolio …. The Year’s Best Canadian Editorial Cartoons. Ed., Guy Badeaux . Writ., Jay Stone Macmillan of Canada, …
13, 1997. 14, 1998. 15, 1999. 16, 2000. 17, 2001.

Portfoolio 18: The Year’s Best Canadian Editorial Cartoons. Ed., Guy Badeaux. Writ., Scott Feschuk. McClelland & Stewart Ltd., 2002.

Portfoolio …. The Year’s Best Canadian Editorial Cartoons. Ed. & Writ., Guy Badeaux . McArthur & Co. …
19, 2003. 20, 2004. 21, 2005.
Portfoolio …: The Year’s Best Canadian Editorial Cartoons. Ed., & Writ., Warren Clements. McArthur & Co. ….
22: 2006. 23: 2009. 24: 2010. 25: 2011.

BOOK GRAPHIC COLLECTION:                                                                                    All published by MacIntyre Purcell Publishing Inc.

Content panel cartoon & Cover front:

You Might Be From Nova Scotia If ….., 2013..

You Might Be From New Brunswick If …., 2014.

You Might Be From Newfoundland and Labrador If …., 2015.

You Might Be From Canada If ….., 2017.

PERIODICAL TEXT:

Content editorial cartoon:

Maclean’s ….
14 October 2002: 14.

4 November 2002: 14.

2 December 2002: 16.

3 February 2003: 13.

28 April 2003: 11.

9 June 2003: 16.

4 August 2003: 16.

29 September 2003: 13.

17 November 2003: 22.

26 January 2004: 14.

10 May 2004: 14.

21June 2004: 16.

2 May 2005: 13.

1 July 2005: 10.

5 September 2005: 12.

24 October 2005: 9.

NEWSPAPER:

The Expositor [Brantford] 28 November 2005: A8.

Hamilton Spectator …
2 July 2011: WR6. 28 January 2019: A11.
Toronto Star …
20 August 2011: IN6

27 August 2011: “Drawstring”: IN 2.

3 September 2011: “Drawstring”: IN2.

10 September 2011: “Drawstring”: IN2.

17 Sept. 2011: IN6, A27. “Drawstring”: IN2.

24 September 2011: IN6, “Drawstring”: IN2.

1 October 2011: IN6, “Drawstring”: IN2.

15 October 2011: IN5, “Drawstring”: IN2.

21 January 2012: IN6, “Drawstring”: IN2.

4 February 2012: IN6.

8 February 2012: IN6, “Drawstring”: IN2.

3 March 2012: IN6

17 March 20012:IN6.

2 June 2012: “Drawstring”: IN2.

7 July 2012: IN6, “Drawstring”: IN2.

23 June 2012: “Drawstring”: IN2.

17 July 2012: A12.

11 August 2012: “Drawstring”: IN2.

1 September 2012: IN2.

15 September 2012: IN6.

22 September 2012: IN6.

29 September 2012: IN6, “Drawstring”: IN2.

17 November 2012: IN2

1 December 2012: IN2.

22 December 2012: IN6

29 December 2012: IN6, “Drawstring”: IN2.

19 January 2013: “Drawstring”: IN2.

2 February 2013: “Drawstring”: IN2.

6 February 2013: “Drawstring”: IN2.

23 February2013: IN6, “Drawstring”: IN2.

2 March 2013: “Drawstring”: IN2.

23 March 2013: “Drawstring”: IN2.

13 April 2013: “Drawstring”: IN2.

20 April 2013: “Drawstring”: IN2.

27 April 2013: “Drawstring”: IN2.

11 May 2013: “Drawstring”: IN2.

25 May 2013: “Drawstring”: IN2.

8 June 2013: “Drawstring”: IN2.

15 June 2013: “Drawstring”: IN2.

24 August 2013: IN6.

7 September 2013: “Drawstring”: IN2.

14 September 2013: IN6, “Drawstring”: IN2.

28 September 2013: “Drawstring”: IN2.

5 October 2013: IN6.

24 May 2014: “Drawstring”: IN2.

14 June 2014: IN6.

17 June 2014: A14.

18 June 2014: A18.

19 June 2014: A20.

20 June 2014: A14.

26 July 2014: IN2.

28 July 2014: A12.

29 July 2014: A12.

30 July 2014: A14.

20 September 2014: IN6.

27 Sept. 2014 “Drawstring”: IN2.

4 October 2014: “Drawstring”: IN2.

27 September 2014: IN6.

11 October 2014: “Drawstring”: IN2.

8 November 2014: “Drawstring”: IN2.

25 January 2015: “Drawstring”: IN2.

14 March 2015: “Drawstring”: IN2.

21 March 2015: “Drawstring”: IN2.

28 March 2015: “Drawstring”: IN2.

30 May 2015: IN6.

22 August 2015: IN6.

31 December 2015: A16.

23 April 2016: IN10.

21 May 2016: IN10.

18 June 2016: IN8.

17 September 2016: IN10.

ILLUSTRATOR:

PERIODICAL TEXT:

Content essay:

Maclean’s …: “Politics: …”. …: …
9 September 2002: “…: Dwarf’s Dilemma”. Writ., Julian Beltrame: 17.

… 2 March 2003: “…: Promises, Promises”. Writ., Julian Beltrame: 22.

… 15 March 2004: “… Branding Paul Martin”. Writ., John Geddes: 20.

NEWSPAPER:

Content: essay:

Toronto Star, 10 September 2011: Title unknown. Writ., Unknown: A25.

SOURCE:

Article book:

Portfoolio 13: The Year’s Best Canadian Editorial Cartoons. 1997:“Michael De Adder”: 147.

Portfoolio 14: The Year’s Best Canadian Editorial Cartoons.1998: “Michael De Adder” :145.

Portfoolio 16: The Year’s Best Canadian Editorial Cartoons., 2000. “Michael De Adder”.

Portfoolio 17: The Year’s Best Canadian Editorial Cartoons.2001: “Michael De Adder”: 148.

Portfoolio 23: The Year’s Best Canadian Editorial Cartoons. 2009: “Michael De Adder”: 159

Correspondence:

Wes Tyrell to Robert MacMillan, 7 Nov. 2016, Email.

GALLERY:

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DeAdder, Michael, Portfoolio 15, 147.jpgPortfoolio 15, 1999: The Year’s Best Canadian Political Cartoons: 147.

A newspaper with a cartoon of men Description automatically generated with medium confidenceMaclean’s 9 September 2002: 17.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DE ADDER MICHAEL, Portfoolio 22, back cover.jpgPortfoolio 22, 2006: Back cover.

A newspaper with a couple of people Description automatically generatedToronto Star, 10 September 2011: A25.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DeADDER Michael, Toronto Star, 28 July 2014.jpgToronto Star, 28 July 2014.

A cartoon of a child sitting next to a wall Description automatically generatedHamilton Spectator, 28 January 2019: A11

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\de ADDER, Michael, Halifax Herald.jpgChronicle Herald, [Halifax] 6 October 2020.

DAY Gene

DAY Howard Eugene “Gene”

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE OF PERSON\D\DAY Eugene, Borealis 1-1, Summer 1978, 12 .jpg                                  A portrait by Dave Sim, Borealis,1-1, Summer 1973: 12.

“… Gene had not yet reached his full stature in the field. His art already unique and impressive was still growing.”                                                                                  Archie Goodwin

Gene Day was an outstanding figure among a group of talented southern Ontario cartoonists who emerged in the 1970’s, until his sudden death in 1982 ended an achievement filled career only 8 years old.

Born in August 13, 1951 in Kingston Ontario he was writer, editor, publisher and self-taught artist. He and his brothers Dan and Dave operated what can be best described a guild in which he functioned as the master and his brothers as the apprentices. He was part of the cartoon revival of the 1970’s and 1980’s and as can be seen below was involved in many projects with other pioneers such as Mark Shainblum and Gabriel Morrissette of Montréal, Gordon Derry, Dennis Beauvais and Barry Blair of Ottawa, Dave Sim of Kitchener James Waley and the Orb group of Toronto. His influence extended beyond his untimely death. Deni Loubert published two posthumous magazines Eugene Day’s Black Zeppelin, and Day Brothers Present containing work done and inspired by him.

He seems to have begun his artist career as a jack of all trades. From 1973 he drew editorial cartoons in the Gananoque Reporter and expanded this work to The Leeds Echo, Queen’s Journal, Red Lake Journal and the Kingston Whig-Standard. He was nominated twice for the Ontario Weekly Newspapers Association Editorial Cartoonist Award. In 1978, he co-won the Editorial Page Award of the Canadian Weekly Newspapers Association (now called the Canadian Community Newspapers Association).

In 1973 he also began House of Shadows Art Studio and a small publishing company HED Books of Canada which he shortly renamed Shadow Press. Through it he launched Dark Fantasy, a small fantasy magazine to which he would continue to edit, publish and contribute until his death. This company was also responsible for the short-lived (2 issues) mini comic book Out of the Depths which began in 1974 and featured work by Dave Sim and Day himself and for the booklet Dreaming as the Summers Die in which Day illustrated poems by Lewis Carroll and the book All Things Dark and Dangerous (1979) a collection of Day’s illustrations.

In the spring of 1974 he organized House of Shadows Art Studio. Shortly after, he landed a contract with Skywald Publications, (1970 to 1975), an American Co. that produced black and white cartoon magazines mostly in the horror genre. He created illustrations for their magazines Psycho, Nightmare and Scream. At the same time in conjunction with the Ontario Weekly Newspapers Association he began a short-lived syndicate consisting of five comic strips.

He was a regular in Orb (1974 – 1976) and contributed his first attempt at colour: “The Horror of Harrow House” to Orb 1-4 November-December 1975. He worked with Dave Sim on a single issue comic Oktoberfest (1976). In 1978 he was contributing to both of Star Reach productions titles Star Reach and Imagine. He was doing all of this while at the same time continuing to produce his own Dark Fantasy magazine and the booklet Dreaming as the Summers Die..

He won the Best Professional Artist Awards of Fanco 1975, and NASFACON 1978: the Best Professional Black and White Artist at Summercon 1977 all in Toronto. In the commercial art field, he won an award for two safety program films for Steel Co. of Canada. The films combined still slides and live action footage. A measure of his popularity can be seen in the creation of Gene Day Fan Club organized in Nappanee in 1977.

In 1978 Day, inspired by the success of Sim’s Cerebus, returned to the idea of producing a comic book. He had previously published the mini comic called Out of the Depths. Black Zeppelin was to be an anthology composed of the various genres: science fiction, fantasy, horror, war etc. By the middle of 1979, it was ready to be published with a release date of December and distribution by Dave Sim’s and Deni Loubert’s Aardvark-Vanaheim Press. Then problems arose and Black Zeppelin had to be postponed. Part of the reason for the suspension was that in 1980 Day was contracted by the Marvel Comics Group. He began by co- illustrating Master of Kung Fu issue 95 (December 1980). From issue 102 (1981) he was producing the covers and doing both pencils and inks for the stories. With few breaks he continued this contribution until his death. He also worked on the Star Wars title a cartoon series licensed from the movie.

He died suddenly on October 1982 in his sleep of a heart attack.

After Day died suddenly, Black Zeppelin lay on the shelf till the summer of 1984 when it was revived with Day’s widow Gale Day and Joe Erslavas as editors , and Deni Loubert publisher through Renegade Press as. It ran for five issues containing earlier stories and art from Gene and stories and art from his brothers Dan and David plus contributions from Dave Sim, Mark Shainblum, Gabriel Morrisette and others.

His range was astonishing. For main stream publishing his cartooning and illustrating ranged across editorial and comic strip cartooning and illustrations for sex, education, fashion, college and war magazines. He had even dabbled in film and video war games. In cartoon magazines he ranged across war, horror, fantasy and science fiction in addition to his work on the hero publications of Marvel and DC. It seemed there was no subject or medium that lent itself to cartooning or illustration that Day wouldn’t try his hand at it. Day himself summed it up in an interview he did for Borealis when he said that art was and remained his “first and only want-lust-desire whatever you want to term it.”

He was influenced by the EC war and horror line of the fifties and the Warren line of the sixties as well as artists like Steranko, Freas, Wrightson. Archie Goodwin said of his work: “… most of this early work ably reflects two of Gene’s strongest points his powerful and dramatic use of blacks in his rendering, and his constant experimentation with page design and storytelling breakdowns.”

WORK:

CARTOONIST:

PERIODICAL GRAPHIC ANTHOLOGY:

Content story:

Imagine, 2, June 1978: “Day of Future Past”                                                                                                            “Speed”

Gene Day’s Black Zeppelin…: “…” Published by Renegade Press. Black & white.
1-2, June 1985 “Quiet in the Green.” Restored by David Day. Let., Susan Thomas.

 

1-3, August 1985: “It Waits”.

 

Orb Magazine…. “…”: ….  Published by Orb Productions. Black & white.
1-2, July 1974: “Plague”: 3-8.

1-3, Dec. 1974: “The Shroud of Grey”: 52-57.

1-4, November-December 1975: “The Horror of Harrow House.” Col., Gene Day: 27-32.

1- 6, March/April 1976: “Trojan Horse.” Let., Bill Payne: 34-39.

Star Reach, 15, December 1978: “Warriors.”. Let., Mary E. M. Gordon: 10-16.

ILLUSTRATOR:

BOOKLET MINI TEXT & ILLUSTRATION:

Dreaming As The Summers Die: A Collection Of Selected Poems. Writ., Lewis Carroll. Ed., Gene Day illustrations based on originals of Sir John Tenniel. Shadow Press. 1976.

PERIODICAL GRAPHIC:

Content serial & Cover front:

Master of Kung Fu, 1-102, July 1981: “A Vision of Winter in Spring.” Writ., Peter B. Gillis. Let., Jean Simek. Col., Jim Salicrup: 1-22.

Master of Kung Fu ….: “…”Writ., Doug Moench. Let., Jim Novak.
1-103, Aug.1981: “A City A Sea.” Col., Bob Sharon.

1-104, Sept. 1981: “Fight Without Reason.” Col., George Roussos.

1-105, Oct. 1981: “The Razor Fist Connection.” Col., Christie. Scheele.

1-108, Jan. 1982: “Chameleons.” Let., Janice Chiang. Col., C. Scheele.

1-109, Feb. 1982: “Angel’s Kiss.” Col., C. Scheele.

1-114, July 1982: “A Fantasy of the Autumn Moon.” Col., C. Scheele.

 

 Master of Kung Fu….: “…” Writ., D. Moench. Let., J. Chiang. Col., C. Scheele.
1-115, Aug. 1982: “Deals”.

1-116, Sept. 1982: “Blood of His Blood”.

1-117, Oct. 1982: “Devil Deeds Done in Darkness”.

1-118, Nov. 1982: “Flesh of My Flesh”.

1-120, Jan. 1983: “Dweller in a Dark Stream”.

 Cover front:

 Detective Comics: Batman, 47-527, June 1983.

Master of Kung Fu,
 1-112, May 1982. 1-119, Dec. 1982.

PERIODICAL GRAPHIC ANTHOLOGY:

Content story:

Megaton, 1-1, Nov. 1983: “The City at Sunrise.” Writ., John Cosgriff: 9-12

Orb Magazine 1-5, Jan./Feb. 1976: “One Man’s Madness.” Writ., T Casey Brennan. Let., Michael Cherkas: 2-7. Published by Orb Productions. Black & white.

PERIODICAL TEXT & GRAPHIC ANTHOLOGY:

Content portrait:

Captain Canuck, First Summer Special, July-Sept. 1980: Portrait: 33. CKR Productions Ltd. Black & white.

Epic Illustrated, 1-16, Feb.1983: “Tribute GENE DAY 1951-1982.” Writ., Archie Goodwin: 59-66.

Content portfolio:

Borealis: A Canadian Magazine Of Science Fiction & Fantasy, 1-2, Spring 1979: “Gene Day: A Portfolio” 13-17. North Star Press. Black & white.

PENCILLER:

PERIODICAL GRAPHIC

Content serial & Cover front illustrator:

Master of Kung Fu, 1-106, Nov. 1981: “Master of Kung Fu: The Assassin Master.” Writ., D. Moench. In., Armando Gil. Let., J. Novak. Col., C. Scheele.

Content story & Cover front illustrator:

Gene Day’s Black Zeppelin, 1-3, Aug. 1985: “The Eaters.” Writ., Augustine Funnell. In., David Day: 14-21.  Published by Renegade Press. Colour cover. Black & white content.

INKER:

PERIODICAL GRAPHIC

Content story & Cover front co-illustrated with V. Marchesano:

Charlton Bullseye, 9, Sept. 1982: “Bludd The Ultimate Barbarian.” Writ., James Waley. (Illus., pages 2-8, 1976, Gene Day.) Pen., V. Marchesano, In., Gene Day. Col, Wendy Fiore. Let., Bill Payne & P. Iro. Story begun in 1976 possibly for Orb then redone in 1981?)

PERIODICAL GRAPHIC ANTHOLOGY:

Content serial:

Orb, 1-6, Mar./Apr. 1976: “Dark Ninja: Dawn of Darkness.” Co-writ.’ J. Waley & John Sech. Pen., Vince Marchesano. Let., Bill Payne: 42-48. Published by Orb Productions. Black & white.

Content story:

Gene Day’s Black Zeppelin, 1-5, October 1986: “Gravedigger’s Banquet.” Writ., & Pen., Dave Sim: 18-20. Published by Renegade Press. Black & white.

Orb Magazine, 2, July 1974: “The Galactic Queen.” Co-writ., Paul Savard & John Allison. Pen., Paul Savard. Let., Mike Cherkas: 9-23. Published by Orb Productions. Black & white.

LAYOUT ARTIST:

PERIODICAL GRAPHIC:

Content serial & Cover front illustrator:

Star Wars, 1-68, Feb.1983: “The Search Begins.” Writ., David Michelinie. Fin. illus., Tom Palmer. Let., Joe Rosen. Col., Glynis Wein.  

PERIODICAL GRAPHIC ANTHOLOGY:

Content story:

Andromeda, 2-2, June 1978: “Shawn of the Ruins.” Writ., George Henderson. Pen., & In., Jim Beveridge. Let., Bill Payne. Published by Andromeda Publications Ltd. Black & white.

WRITER:

PERIODICAL GRAPHIC ANTHOLOGY:

Content story published by Renegade Press. Black & white:

Gene Day’s Black Zeppelin, 1-2, June 1985:                                                                               “Slaughter House Passing.” Illus., Larry Dickison: 8-12.                                                     “E. Pluribus Unum.” Pen., Dan Day. In., Dave Day. Let., Joe Erslavas: 1-6.                                                       (Also Day Brothers Present, 1-4, 1990: 21-24)

Gene Day’s Black Zeppelin, 1-3, Aug. 1985:                                                                               “God’s Good Children.” Illus., Dan Day.                                                                               “Occurrence on a December’s Morning.” Illus., Bruce Conklin. Let., Dave Sim.

 Content story published by Caliber Press. Black & White:

 Day Brothers Presents, 1-3, May 1990:                                                                                     “God is Gracious” Illus., Dan Day. Let., Debra J. Heatherington: 1-5.                                 “Pyre!” Illus., Dan Day: 6-.13.                                                                                             “Shroud of Tattered Grey” Illus., Dan Day: 14- 22.

 Day Brothers Present, 1-4, 1990:                                                                                               “King Soloman’s M/nds” Illus., Dan Day:13- 20.                                                                 “The Observer” Illus., Dan Day: 25- 27.

Content story published by Vortex Comics Inc. Black & white.

Vortex, 1-6, 1984: “the Observer”. Illus., Dan Day: 25-27. (Also appeared in Day Brothers Present)

Content story black & white & Cover front colour illustrator:

 Gene Day’s Black Zeppelin, 1-1, April 1985:

“Winged Jupiter.” Illus., Dan Day. Let., Joe Erslavas: 13-16. Published by Renegade Press.

WRITER & ILLUSTRATOR;

 BOOK GRAPHIC:

 Content collection, illustration & story & Cover book front:

All Things Dark and Dangerous: The Art of Gene Day, limited signed edition 50 copies. Shadow Press/Dark Fantasy, 1979. Includes hand coloured pages.

Future Day, limited signed edition of 530 copies, Flying Buttress Publications, 1979.

PERIODICAL GRAPHIC ANTHOLOGY:

Content poem:

Gene Day’s Black Zeppelin, 2, June 1985: “The Bizarre and the Fantastic”: 1. Published by Renegade Press. Black & white

WRITER & PENCILLER:

PERIODICAL GRAPHIC ANTHOLOGY:

Content serial:

Orb Magazine 1-5, Jan./Feb. 1976: Electric Warrior: Retribution.” In., Peter Hsu. Tones, Peter Hsu & Matt Rust. Let., Michael Cherkas: 18-25.

 Content Story:

 Gene Day’s Black Zeppelin, 1-1, April 1985: ‘The Strip.” In., David Day. Let., Susan Thomas. Published by Renegade Press. Black & white

Content story Published by Renegade Press. Black & white & Cover colour illustrator:

Gene Day’s Black Zeppelin, 1-4, March 1986: “Sequence.” Completed by: Dave Sim. In., Joe Erslavas: 17-21.

WRITER, PENCILLER & CO-INKER:

PERIODICAL GRAPHIC ANTHOLOGY:

Content poem:

Vortex, 1-10, September 1984: “Elderberry Down”. Writ., Pen. & Co-in., Dan Day: 5-9. Vortex Comics Inc. Black & white.

CO-ILLUSTRATOR:

PERIODICAL GRAPHIC:

Content serial:

 Avengers, 1-181, March 1979, Writ., David Michelinie. Co-illus.,John Byrne.

 Master of Kung Fu, 1-107, Dec. 1981: “The Painless Result of Having Lived.” Writ., Doug Moench. Co-illus., Armando Gill. Let., Jim Novak. Col., Bob Sharon.

Cover front:

Master of Kung Fu, 1-95, Dec. 1980: Co-illustrator Zeck.

PERIODICAL GRAPHIC ANTHOLOGY:

Content story:

Gene Day’s Black Zeppelin, 1-5, Oct. 1986: “Life’s End.” Writ. & Co-illus., Dave Sim: 9-17. Published by Renegade Press. Black & white

CO-WRITER & PENCILLER:

PERIODICAL GRAPHIC”

Content serial & Cover illustrator: 

Master of Kung Fu…: “…”Co-writ., Doug Moench, Col., Christie Scheele.
1-110, Mar. 1982:  “Perilous Reign.” In., Jack Abel. Let., Jim  Novak.

1-111, Apr. 1982:  “Deadly Ram.” In., J. Abel, Magyar & Rubinstein. Let., J. Chiang.

CO-ADAPTER & PENCILLER:

PERIODICAL GRAPHIC ANTHOLOGY:

Content song:

Heavy Metal, III-4, Aug. 1979: “Sympathy for the Devil.” Lyrics, Mick Jagger & Keith Richards. Co-adapter, James Waley. In. & Let., Bill Payne. Col., Martin Springett: 81-88.

TEAM EFFORT:

 PERIODICAL GRAPHIC:

 Content story: 

Oktoberfest, 1-1, Fall 1976: “…”. …. Published by Now & Then Publications Ltd. Black & white
 …, “Uncle Hans in The October Quest.” Writ., Co-illustrator Gene Day & Dave Sim: 1-20 .

…, “Uncle Hans.” Co-cartoonist, Gene Day & Dave Sim: 21-22.

…: “Cap’n Riverrat and Horatio: The Stowaway.” Writ., Dave Sim. Illus., Gene Day: 27-32. 

PUBLISHER & EDITOR:

BOOKS:

All Things Dark and Dangerous: The Art of Gene Day, limited signed edition 50 copies. Shadow Press/Dark Fantasy, 1979. Includes hand coloured pages.

Future Day, limited signed edition of 530 copies, Flying Buttress Publications, 1979.

BOOKLET MINI CARTOON:

Out Of The Depths: Tales Of Illustrated Terror. 1-1, May 1974. Ed., Howard E. Day. Shadow Press. Contributors included John Allison, Dave Sim, Gene Day, Angus MacLeod.

BOOKLET MINI TEXT & ILLUSTRATION:

Dreaming As The Summers Die: A Collection Of Selected Poems. Writ., Lewis Carroll. Ed., & Illus., Gene Day based on originals of Sir John Tenniel. Shadow Press. 1976.

PERIODICALS MINI ANTHOLOGY TEXT & ILLUSTRATION:

Dark Fantasy: The Magazine Of Amateur Creators, 2, Fall 1973. Ed., Howard E. Day. Hed Books of Canada.

Dark Fantasy: The Magazine Of Underground Creators, …. Ed., Howard E. Day. Shadow Press.
… 1-3, March 1974.

 

… 1-4, July 1974.

 

… 1-5, October 1974.

 

… 2-6, January 1975.

 

… 2-7, Sept. 1975.

 

… 2-8, May 1976.

 

…. 3-9, Sept.1976.

 

… 3-10, Dec. 1976.

 

… 3-11, January 1977.

 

… 3-12, April 1979. (?)

 

… 4-14, Sept. 1977.

 

… 4-15, January 1978.

… 4-16, June 1978.

 

… 5-17, July 1978.

 

… 5-18, Dec. 1978.

 

… 5-19, February 1979.

 

… 5-20, July 1979.

 

… 6-21, October 1979.

… 6-22, March 1980.

 

… 5(?)-23, Nov. 1980.

 

 

Dark Fantasy, 5-24/25, July 1, 1984. Publisher/Editor Gordon Derry in association with Shadow Press.

Writers included Charles de Lint, Gordon Derevanchuk aka Gordon Derry, Charles R. Saunders (later became fantasy novelist), John Bell.

Illustrators included Gene Day, Dan Day, George Freeman, Dave Sim, Ron Sutton.

SOURCE:

Article book :

All Things Dark and Dangerous: The Art of Gene Day, 1979: “An Introduction to an Artist.”

The Canadian Alternative: Cartoonists Comics, and Graphic Novels. Ed., Dominick Grace & Eric Hoffman. University Press of Mississippi, 2018: “The Man Who Never Slowed Down.” Writ., Jason Sacks: 35-49.

Article periodical:

Epic Illustrated, 1- 16, Feb.1983: “Tribute GENE DAY 1951-1982.” Writ., Archie Goodwin: 59-66.

Gene Day’s Black Zeppelin, 1-1, Apr.1985: “A Note from the Editor.” Writ., Gale Day: Inside front cover.

Orb Magazine, 1- 4, Nov.-Dec.1975: “Profile: Gene Day”: 2.

Interview periodical:

Borealis, 1-1, Summer 1978: “Gene Day: A Portfolio”: 12.

Orion, 1-2, 1982: “A Conversation with Gene Day.” Interviewer, Mark Shainblum: 30-42.

Internet:

“Gene Day (1951-1982) A Joe Shuster Awards website biography, 2010.

GALLERY:

Day Gene Black Zeppelin 1Cover, Gene Day’s Black Zeppelin, 1-1, Apr. 1985.

Day Gene Black Zeppelin 1 The Strip“The Strip.” Gene Day’s Black Zeppelin, 1-1, Apr. 1985: 2.

Master of Kung Fu, 1-109, Feb. 1982. Front Cover.

Master of Kung Fu 1-114, July 1982Master of Kung Fu, 1-114, July 1982.

Master of Kung Fu 1-114 July 1982 2Master of Kung Fu, 1-114, July 1982.

Day Gene Gene Day's Black Zeppelin 2 June 1985Gene Day’s Black Zeppelin, 2, July 1985: 1.

DAY David

DAY David

Brothers Gene, Dan and David Day were a remarkable family of cartoonists based in Gananoque. They were amongst the pioneers of the Ontario revival. Until his untimely death, Gene was the leader of the group with Dan and David functioning more or less as assistants. After Gene’s death Dan carried on whereas David participated less and less. As can be seen below David never worked outside of the family group.

WORK:

ILLUSTRATOR:

PERIODICAL GRAPHIC ANTHOLOGY:

Cover front:

Gene Day’s Black Zeppelin, 1-2, June 1985.

Gene Day’s Black Zeppelin, 1-5, October 1986.

PENCILLER:

PERIODICAL GRAPHIC ANTHOLOGY:

Content story:

Day Brothers Present, 1-1, May 1990:                                                                                          “Burial Rites.” Writ., Kevin McConnell. In., Dan Day: 14-17.                                              “A Grave Mistake.” Kevin McConnell. In., Dan Day. Let., Debra J. Heatherington:             18-22.

INKER:

PERIODICAL GRAPHIC ANTHOLOGY:

Content story:

Gene Day’s Black Zeppelin, 1-1, April 1985:                                                                               “The Strip.” Writ., & Pen., Gene Day. Let., Susan Thomas: 1-6.

Gene Day’s Black Zeppelin, 1-2, June 1985:                                                                               “E. Pluribus Unum.” Writ., Gene Day. Pen., Dan Day: 3-6.                                                  Also appears in Day Brothers Presents, 1-4, 1990: 21-24.

Gene Day’s Black Zeppelin, 1-3, Aug. 1985:                                                                               “The Eaters.” Writ., Augustine Funnell. Pen., Gene Day: 14-21.

Gene Day’s Black Zeppelin, 1-4, March 1986:                                                                             “Who shall cry for Damocles: Chapter 1.” Writ., Mark Shainblum. Pen. Gabrielle               Morrisette. Let., Ron Kasman. Gene Day’s 1-9.

Gene Day’s Black Zeppelin, 1-5, October 1986:                                                                         “Who shall cry for Damocles: Chapter 2.” Writ., Mark Shainblum. Pen. Gabrielle                Morrisette. Let., Ron Kasman: 1-8.                                                                                    “Between Two Worlds.” Writ., Gordon Derry. Pen. Barry Blair: 21-31:

CO-ILLUSTRATOR :

PERIODICAL GRAPHIC:

Content serial co-illus., Tim McEowen:

Stark Future, 1-1, 1986: “Welcome to Kanen”. Writ., Gordon Devevanchuk: 1-26.

Cover front co-illus., Dan Day:

New Triumph Featuring Northguard, 1-2 1985.

New Triumph Featuring Northguard, 1-4 1986.

PERIODICAL GRAPHIC ANTHOLOGY:

Content story co-illus., Dan Day & Cover front: co-illus., Dan Day:

Day Brothers Present, 1-2, June 1990:                                                                                       “The Fly.” Writ., Randy Sauve:12-14.                                                                                 “Morella.” Writ., Edgar Allen Poe. Adapt., Rich Margopoules. Let., Debra J.                       Heatherington: 16-26.

PERIODICAL TEXT & GRAPHIC:

Cover front co-illus., Dan Day,:

Cases of Sherlock Holmes,
1, May 1986.

3, Sept. 1986.

4, Nov. 1986.

5, Jan. 1987.

6, Mar.1987.

7, Mar. [May?]1987.

8, July 1987.

9, Sept. 1987.

10, Nov.1987.

11, Jan. 1988.

Cover wraparound, co-illus., Dan Day:

Cases of Sherlock Holmes, 2, July 1986.

CO-INKER:

PERIODICAL GRAPHIC:

Content serial & Cover front penciller, Jim Craig. (D. Day gives inconclusive  Identification):

Amazing Spiderman: Chaos In Calgary, 1-4, 1992: Writ., Scott Lobell. Pen., Jim Craig. Co-Ink., Dan Day. Let., Dave Sharpe. Col., George Roussos: 1-30. “This book has been sponsored by Petro-Canada to support Right-Riders Bicycle and Road Safety Program in Canada, promote social skills and a positive lifestyle. Content has been provided by Health & Welfare Canada and distribution by Canada Post is through Canadian Police Forces. The co-operation of the staff of the Calgary Exhibition and Stampede is greatly appreciated.”

Content serial:

Amazing Spiderman: Dead Ball, 1-5, 1993. Occurs in Montréal. Writ., Adam Blaustein. Pen., Jim Craig. Co-Ink., Dan Day. Let., John Babcock. Col., George Roussos: 1-30. “This book 5th in a special series presented by the Canadian Association of Chiefs of Police has been sponsored by Petro-Canada to support the Right-Riders Bicycle and Road Safety Program. Special thanks go to the Montreal Expos Baseball Club for their cooperation. Content has been provided by Health & Welfare Canada. Distribution to Canadian Police Forces is by Canada Post….”

These periodicals are part of a 5 issue Canadian series. The other issues are: 1-1, 1990, Skating On Thin Ice. occurring in Winnipeg, 1-2, 1990, Double Trouble in Fredericton and 1-3, 1991, Hit and Run in Toronto. The series was done in conjunction with the Canadian Association of Chiefs of Police and other participants. See each issue for full information. In addition to the American writers and artists, Canadians Todd McFarlane, Jim Craig and the Day Brothers contributed to the covers, while Craig pencilled issues 1-3 to 1-5, and the Day Brothers inked issues 1-4 & 1-5.. The series was also issued in French. Marvel Comics then reprinted the first 4 issues of the series under reprint editor Glen Herdling who was also the editor of the last 2 issues of the original series. All of the issues of this reprint series were issued Feb. 1993. None of the Canadian Associations were acknowledged.

GALLERY:

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE CARTOON\IMAGE CARTOON N\NORTHGUARD Northguard 3, Caliber.jpg New Triumph featuring Northguard, 1-4, 1986 Front cover illus., Dan & David Day.

Sherlock Holmes 2Cases of Sherlock Holmes, 6, Mar.1987. Front cover illus., Dan & David Day,