DAY Gene

DAY Howard Eugene “Gene”

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE OF PERSON\D\DAY Eugene, Borealis 1-1, Summer 1978, 12 .jpg                                  A portrait by Dave Sim, Borealis,1-1, Summer 1973: 12.

“… Gene had not yet reached his full stature in the field. His art already unique and impressive was still growing.”                                                                                  Archie Goodwin

Gene Day was an outstanding figure among a group of talented southern Ontario cartoonists who emerged in the 1970’s, until his sudden death in 1982 ended an achievement filled career only 8 years old.

Born in August 13, 1951 in Kingston Ontario he was writer, editor, publisher and self-taught artist. He and his brothers Dan and Dave operated what can be best described a guild in which he functioned as the master and his brothers as the apprentices. He was part of the cartoon revival of the 1970’s and 1980’s and as can be seen below was involved in many projects with other pioneers such as Mark Shainblum and Gabriel Morrissette of Montréal, Gordon Derry, Dennis Beauvais and Barry Blair of Ottawa, Dave Sim of Kitchener James Waley and the Orb group of Toronto. His influence extended beyond his untimely death. Deni Loubert published two posthumous magazines Eugene Day’s Black Zeppelin, and Day Brothers Present containing work done and inspired by him.

He seems to have begun his artist career as a jack of all trades. From 1973 he drew editorial cartoons in the Gananoque Reporter and expanded this work to The Leeds Echo, Queen’s Journal, Red Lake Journal and the Kingston Whig-Standard. He was nominated twice for the Ontario Weekly Newspapers Association Editorial Cartoonist Award. In 1978, he co-won the Editorial Page Award of the Canadian Weekly Newspapers Association (now called the Canadian Community Newspapers Association).

In 1973 he also began a small publishing company HED Books of Canada which he shortly renamed Shadow Press. Through it he launched Dark Fantasy, a small fantasy magazine to which he would continue to edit, publish and contribute until his death. This company was also responsible for the short-lived (2 issues) mini comic book Out of the Depths which began in 1974 and featured work by Dave Sim and Day himself and for the booklet Dreaming as the Summers Die in which Day illustrated poems by Lewis Carroll and the book All Things Dark and Dangerous (1979) a collection of Day’s illustrations.

In the spring of 1974 he organized House of Shadows Art Studio. Shortly after, he landed a contract with Skywald Publications, (1970 to 1975), an American Co. that produced black and white cartoon magazines mostly in the horror genre. He created illustrations for their magazines Psycho, Nightmare and Scream. At the same time in conjunction with the Ontario Weekly Newspapers Association he began a short-lived syndicate consisting of five comic strips.

He was a regular in Orb (1974 – 1976) and contributed his first attempt at colour: “The Horror of Harrow House” to Orb 1-4 November-December 1975. He worked with Dave Sim on a single issue comic Oktoberfest (1976). In 1978 he was contributing to both of Star Reach productions titles Star Reach and Imagine. He was doing all of this while at the same time continuing to produce his own Dark Fantasy magazine and the booklet Dreaming as the Summers Die..

He won the Best Professional Artist Awards of Fanco 1975, and NASFACON 1978: the Best Professional Black and White Artist at Summercon 1977 all in Toronto. In the commercial art field, he won an award for two safety program films for Steel Co. of Canada. The films combined still slides and live action footage. A measure of his popularity can be seen in the creation of Gene Day Fan Club organized in Nappanee in 1977.

In 1978 Day, inspired by the success of Sim’s Cerebus, returned to the idea of producing a comic book. He had previously published the mini comic called Out of the Depths. Black Zeppelin was to be an anthology composed of the various genres: science fiction, fantasy, horror, war etc. By the middle of 1979, it was ready to be published with a release date of December and distribution by Dave Sim’s and Deni Loubert’s Aardvark-Vanaheim Press. Then problems arose and Black Zeppelin had to be postponed. Part of the reason for the suspension was that in 1980 Day was contracted by the Marvel Comics Group. He began by co- illustrating Master of Kung Fu issue 95 (December 1980). From issue 102 (1981) he was producing the covers and doing both pencils and inks for the stories. With few breaks he continued this contribution until his death. He also worked on the Star Wars title a cartoon series licensed from the movie.

He died suddenly on October 1982 in his sleep of a heart attack.

After Day died suddenly, Black Zeppelin lay on the shelf till the summer of 1984 when it was revived with Day’s widow Gale Day and Joe Erslavas as editors , and Deni Loubert publisher through Renegade Press as. It ran for five issues containing earlier stories and art from Gene and stories and art from his brothers Dan and David plus contributions from Dave Sim, Mark Shainblum, Gabriel Morrisette and others.

His range was astonishing. For main stream publishing his cartooning and illustrating ranged across editorial and comic strip cartooning and illustrations for sex, education, fashion, college and war magazines. He had even dabbled in film and video war games. In cartoon magazines he ranged across war, horror, fantasy and science fiction in addition to his work on the hero publications of Marvel and DC. It seemed there was no subject or medium that lent itself to cartooning or illustration that Day wouldn’t try his hand at it. Day himself summed it up in an interview he did for Borealis when he said that art was and remained his “first and only want-lust-desire whatever you want to term it.”

He was influenced by the EC war and horror line of the fifties and the Warren line of the sixties as well as artists like Steranko, Freas, Wrightson. Archie Goodwin said of his work: “… most of this early work ably reflects two of Gene’s strongest points his powerful and dramatic use of blacks in his rendering, and his constant experimentation with page design and storytelling breakdowns.”

WORK:

CARTOONIST:

PERIODICAL GRAPHIC ANTHOLOGY:

Content story:

Imagine, 2, June 1978: “…”
“Days of Future Past”. “Speed”.
Gene Day’s Black Zeppelin…: “…”
1-2, June 1985 “Quiet in the Green.” Restored by David Day. Let., Susan Thomas.

1-3, August 1985: “It Waits”.

Orb Magazine…. “…”
1-2, July 1974: “Plague”: 3-8.

1-3, Dec. 1974: “The Shroud of Grey”: 52-57.

1-4, November-December 1975: “The Horror of Harrow House.” Col., Gene Day: 27-32.

1- 6, March/April 1976: “Trojan Horse.” Let., Bill Payne: 34-39.

Orb Magazine, Star Reach, 15, December 1978: “Warriors.”.

ILLUSTRATOR:

PERIODICAL GRAPHIC:

Content serial & Cover front:

Master of Kung Fu, 1-102, July 1981: “A Vision of Winter in Spring.” Writ., Peter B. Gillis. Let., Jean Simek. Col., Jim Salicrup: 1-22.

Master of Kung Fu ….: “…”Writ., Doug Moench. Let., Jim Novak.
1-103, Aug.1981: “A City A Sea.” Col., Bob Sharon.

1-104, Sept. 1981: “Fight Without Reason.” Col., George Roussos.

1-105, Oct. 1981: “The Razor Fist Connection.” Col., Christie. Scheele.

1-108, Jan. 1982: “Chameleons.” Let., Janice Chiang. Col., C. Scheele.

1-109, Feb. 1982: “Angel’s Kiss.” Col., C. Scheele.

1-114, July 1982: “A Fantasy of the Autumn Moon.” Col., C. Scheele.

Master of Kung Fu….: “…” Writ., D. Moench. Let., J. Chiang. Col., C. Scheele.
1-115, Aug. 1982: “Deals”.

1-116, Sept. 1982: “ lood of His Blood”.

1-117, Oct. 1982: “Devil Deeds Done in Darkness”.

1-118, Nov. 1982: “Flesh of My Flesh”.

1-120, Jan. 1983: “Dweller in a Dark Stream”.

Cover front:

Detective Comics: Batman, 47-527, June 1983.

Master of Kung Fu,
1-112, May 1982. 1-119, Dec. 1982.

PERIODICAL GRAPHIC ANTHOLOGY:

Content story:

Megaton, 1-1, Nov. 1983: “The City at Sunrise.” Writ., John Cosgriff: 9-12

Oktoberfest, 1-1, Fall 1976: “Cap’n Riverrat and Horatio: The Stowaway.” Writ., Dave Sim..

Orb Magazine 1-5, Jan./Feb. 1976: “One Man’s Madness.” Writ., T Casey Brennan. Let., Michael Cherkas: 2-7.

PERIODICAL TEXT & GRAPHIC ANTHOLOGY:

Content portrait:

Captain Canuck, First Summer Special, July-Sept. 1980: “Captain Canuck”: 33.

Epic Illustrated, 1-16, Feb.1983: “Tribute GENE DAY 1951-1982.” Writ., Archie Goodwin: 59-66.

Content portrait & Cover back:

Borealis, 1-2, Spring 1979.

PENCILLER:

PERIODICAL GRAPHIC

Content serial & Cover front illustrator:

Master of Kung Fu, 1-106, Nov. 1981: “Master of Kung Fu: The Assassin Master.” Writ., D. Moench. In., Armando Gil. Let., J. Novak. Col., C. Scheele.

Content story & Cover illustrator:

Gene Day’s Black Zeppelin, 1-3, Aug. 1985: “The Eaters.” Writ., Augustine Funnell. In., David Day: 14-21.

INKER:

PERIODICAL GRAPHIC

Content story & Cover front co-illustrated with V. Marchesano:

Charlton Bullseye, 9, Sept. 1982: “Bludd The Ultimate Barbarian.” Writ., James Waley. (Illus., pages 2-8, 1976, Gene Day.) Pen., V. Marchesano, In., Gene Day. Col, Wendy Fiore. Let., Bill Payne & P. Iro. Story begun in 1976 possibly for Orb then redone in 1981?)

PERIODICAL GRAPHIC ANTHOLOGY:

Content:

Serial:

Orb, 1-6, Mar./Apr. 1976: “Dark Ninja: Dawn of Darkness.” Co-writ.’ J. Waley & John Sech. Pen., Vince Marchesano. Let., Bill Payne: 42-48.

Story:

Gene Day’s Black Zeppelin, 1-5, October 1986: “Gravedigger’s Banquet.” Writ., & Pen., Dave Sim: 18-20.

Orb Magazine, 2, July 1974: “The Galactic Queen.” Co-writ., Paul Savard & John Allison. Pen., Paul Savard. Let., Mike Cherkas: 9-23

LAYOUT ARTIST:

PERIODICAL GRAPHIC:

Content serial & Cover front illustrator:

Star Wars, 1-68, Feb.1983: “The Search Begins.” Writ., David Michelinie. Fin. illus., Tom Palmer. Let.,  Joe Rosen. Col., Glynis Wein. .

PERIODICAL GRAPHIC ANTHOLOGY:

Content story:

Andromedia, 2-2, June 1978: “Shawn of the Ruins.” Writ., George Henderson. Pen., & In., Jim Beveridge. Let., Bill Payne.

WRITER:

PERIODICAL GRAPHIC ANTHOLOGY:

Content story

Gene Day’s Black Zeppelin, 1-2, June 1985:                                                                               “Slaughter House Passing.” Illus., Larry Dickison: 8-12.                                                     “E. Pluribus Unum.” Pen., Dan Day. In., Dave Day. Let., Joe Erslavas: 1-6.                             (Also Day Brothers Present, 1-4, 1990: 21-24).

Gene Day’s Black Zeppelin, 1-3, Aug. 1985:                                                                               “God’s Good Children.” Illus., Dan Day.                                                                               “Occurrence on a December’s Morning.” Illus., Bruce Conklin. Let., Dave Sim.

Day Brothers Presents, 1-3, May 1990:                                                                                       “God is Gracious” Illus., Dan Day. Let., Debra J. Heatherington: 1-5.                                 “Pyre!” Illus., Dan Day: 6-.13.                                                                                             “Shroud of Tattered Grey” Illus., Dan Day: 14- 22.

Day Brothers Present, 1-4, 1990:                                                                                                 “King Soloman’s M/nds” Illus., Dan Day:13- 20.                                                                  “The Observer” Illus., Dan Day: 25- 27.

Content story & Cover front illustrator:

Gene Day’s Black Zeppelin, 1-1, April 1985:                                                                               “Winged Jupiter.” Illus., Dan Day. Let., Joe Erslavas: 13-16.

WRITER & ILLUSTRATOR;

BOOK GRAPHIC:

Content collection, illustration & story & Cover book front:

All Things Dark and Dangerous: The Art of Gene Day, limited signed edition 50 copies. Shadow Press/Dark Fantasy, 1979. Includes hand coloured pages.

Future Day, limited signed edition of 530 copies, Flying Buttress Publications, 1979.

PERIODICAL GRAPHIC ANTHOLOGY:

Content poem:

Gene Day’s Black Zeppelin, 2, June 1985: “The Bizarre and the Fantastic”: 1.

WRITER & PENCILLER:

PERIODICAL GRAPHIC ANTHOLOGY:

Content serial:

Orb Magazine 1-5, Jan./Feb. 1976: Electric Warrior: Retribution.” In., Peter Hsu. Tones, Peter Hsu & Matt Rust. Let., Michael Cherkas: 18-25.

Content Story:

Gene Day’s Black Zeppelin, 1-1, April 1985:                                                                               “The Strip.” In., David Day. Let., Susan Thomas..

Content story & Cover illustrator:

Gene Day’s Black Zeppelin, 1-4, March 1986:                                                                             “Sequence.” Completed by: Dave Sim. In., Joe Erslavas: 17-21.

CO-CARTOONIST:

PERIODICAL GRAPHIC ANTHOLOGY:

Content story:

Oktoberfest 1-1, Fall 1976: “Uncle Hans.” Co-cartoonist, Dave Sim: 21-22.

CO-ILLUSTRATOR:

PERIODICAL GRAPHIC:

Content serial:

Avengers, 1-181, March 1979, Writ., David Michelinie. Co-illus., John Byrne.

Master of Kung Fu, 1-107, Dec. 1981: “The Painless Result of Having Lived.” Writ., Doug Moench. Co-illus., Armando Gill. Let., Jim Novak. Col., Bob Sharon.

Cover front:

Master of Kung Fu, 1-95, Dec. 1980: Co-illustrator Zeck..

 

PERIODICAL GRAPHIC ANTHOLOGY:

Content story:

Black Zeppelin, 1-5, Oct. 1986: “Life’s End.” Writ. & Co-illus., Dave Sim: 9-17.

Oktoberfest,1-1, Fall 1976: “Uncle Hans in The October Quest.” Writ., Co-illustrator Dave Sim.

CO-WRITER & PENCILLER:

PERIODICAL GRAPHIC”

Content serial & Cover illustrator:

Master of Kung Fu…: “…”Co-writ., Doug Moench, Col., Christie Scheele.
1-110, Mar. 1982: “Perilous Reign.” In., Jack Abel. Let., Jim Novak.

1-111, Apr. 1982: “Deadly Ram.” In., J. Abel, Magyar & Rubinstein. Let., J. Chiang.

CO-ADAPTER & PENCILLER:

PERIODICAL GRAPHIC ANTHOLOGY:

Content song:

Heavy Metal, III-4, Aug. 1979: “Sympathy for the Devil.” Lyrics, Mick Jagger & Keith Richards. Co-adapter, James Waley. In. & Let., Bill Payne. Col., Martin Springett: 81-88.

PUBLISHER:

SHADOW PRESS

SOURCE:

Article book :

All Things Dark and Dangerous: The Art of Gene Day, 1979: “An Introduction to an Artist.”

The Canadian Alternative: Cartoonists Comics, and Graphic Novels. Ed., Dominick Grace & Eric Hoffman. University Press of Mississippi, 2018: “The Man Who Never Slowed Down.” Writ., Jason Sacks: 35-49.

Article periodical:

Epic Illustrated, 1- 16, Feb.1983: “Tribute GENE DAY 1951-1982.” Writ., Archie Goodwin: 59-66.

Gene Day’s Black Zeppelin, 1-1, Apr.1985: “A Note from the Editor.” Writ., Gale Day: Inside front cover.

Orb Magazine, 1- 4, Nov.-Dec.1975: “Profile: Gene Day”: 2.

Interview periodical:

Borealis, 1-1, Summer 1978: “Gene Day: A Portfolio”: 12.

Orion, 1-2, 1982: “A Conversation with Gene Day.” Interviewer, Mark Shainblum: 30-42.

Internet:

“Gene Day (1951-1982) A Joe Shuster Awards website biography, 2010.

Day Gene Black Zeppelin 1Cover, Gene Day’s Black Zeppelin, 1-1, Apr. 1985.

Day Gene Black Zeppelin 1 The Strip“The Strip.” Gene Day’s Black Zeppelin, 1-1, Apr. 1985: 2.

Master of Kung Fu, 1-109, Feb. 1982. Front Cover.

Master of Kung Fu 1-114, July 1982Master of Kung Fu, 1-114, July 1982.

Master of Kung Fu 1-114 July 1982 2Master of Kung Fu, 1-114, July 1982.

Day Gene Gene Day's Black Zeppelin 2 June 1985Gene Day’s Black Zeppelin, 2, July 1985: 1.