GRAY Tony

GRAY Tony

A native of Windsor Ontario he is creator and cartoonist of “The Incredible Conduit” as well as co-owner of Legacy Comic Publishing.

In December 2000 he began his career creating and writing the comic strip “Saturday Afternoon” in which Baldoon an eight year old boy found adventure in an imaginary world inside a framed photograph.

“The Incredible Conduit” was launched as a cartoon strip for the CanWest chain of newspapers in August 2009. In 2010 it was contracted out to Legacy Comics Publishing to be published in comic book format.

Gray purchased a 50% ownership of Legacy Comics in 2011.

Also in 2011, Gray and David Finch along with musician Andrew Barlow (formerly of the “Doomsday Dogs”) and sound engineer, Scott Barlow founded Glass Monkey Studios to provide a start to finish facility for their various illustration, animation and film ventures.

SOURCE:

Internet:

“Tony Gray (comics).” Wikipedia, the free encyclopedia. Accessed 18 Feb. 2013.   https://en.wikipedia.org/wiki/Tony_Gray_(comics).

GRAVEL Elise

GRAVEL Elsie

This Montréal author and illustrator has written and published picture books and cartoon books in both French and English. She has also worked as an illustrator for clients from Mountain Equipment to Klutz.

In 2012, she received the Governor General’s Children’s Literature (illustrations) Award for La à clé molette. She has authored over thirty books translated into a dozen languages.

WORK:

CARTOONIST:

BOOK GRAPHIC:

Content story & Cover front & back

The Worst Book Ever. Drawn & Quarterly, May 2019.

PERIODICAL TEXT & GRAPHIC ANTHOLOGY

Content story graphic:

Owl, 37-2, Mar. 2012: “The Momsmilex”: 18.

SOURCE:

Article book:

The Worst Book Ever. Drawn & Quarterly, May 2019: “Elise”.

Article periodical:

Owl, 37-2, Mar. 2012: “Creators”: 24.

GRAU Peter

GRAU Peter

Although Peter lived in Toronto while Dave Darrigo lived there, the two had never met. Peter submitted samples of his work by mail to Dave in Brantford, who was “amazed at its professional quality”. Dave then arranged to meet Peter at Dragon Lady Comics Shop in Toronto.

Dave found out that Now Comics in Chicago was looking for a new creative team for their Green Hornet comic. He sent them samples of his writing and Grau’s illustrations. The publisher phoned and asked to meet them as potential recruits. Excited Dave and Peter went to Chicago but things did not work out as planned. Dave became a writer for The Green Hornet but Peter wound up a penciller on a new series called Super Cops. This occurred at the end of 1990. The whole arrangement soured for both with Dave not being paid and Peter only partially paid for work done.

After this debacle, Dave created the character “Piranha specifically for Peter to illustrate. Piranha Is Loose under the Special Studio logo appeared on the shelves January 1991. It was short lived ending with issue 2 dated March 1991.

As “Piranha” ended the “Black Scorpion” character appeared.   Black Scorpion issue 1, appeared April 1991. In this issue Peter Grau painted the cover. In the last issue of Black Scorpion number 3 dated October 1991 He painted the cover and did the story “Blackmailer’s Auction”.

Black Scorpion reappeared about ten years after Special Studio ceased to exist. A Toronto literary agent contacted Dave with the proposal to sell Special Studio properties to film/TV producers who were interested in independently created comic book characters. As a result, the Darrigo-Grau team created a mini promotional comic of the Black Scorpion character but called it Blue Scorpion because there was now a T.V. character called Black Scorpion. Blue Scorpion’s assistant the teenager, Dart was changed to Eddie Navarro nicknamed Stinger. Unfortunately, the sale of Special Studio properties never materialized and so this promotion remains the only story of Blue Scorpion.

After the demise of Special Studio, Peter went to work for three New York based comics companies. He penciled Solar: Man of the Atom for Valiant in 1993 and 1994. Then moved to Mickey Spillane’s Mike Danger for Big Entertainment Inc. in 1996 and finally to The Titans for DC Comics. He rejoined Dave to create one more comic book title Atomic Overdrive published by Caliber Press in Michigan in the U.S. before he retired from comic book work altogether. He painted the covers for both issues. In the first issue the team did the entire book. In the second issue they did the first and third stories. Issue 2 was the last for Atomic Overdrive which appears to have been published in 1997.

All of his Canadian work was in black and white while most of his U.S. work was colour. Peter inked his own Canadian work.

WORK:

ILLUSTRATOR:

BOOK GRAPHIC:

Content story:

Blue Scorpion a promotional mini comic. Writ.,, Dave Darrigo: 1-4.

PERIODICAL GRAPHIC:

Content portrait:

Tony Bravado Trouble Shooter, 4, Mar. 1990 “Bravado Pin-up.”: 33.

Content serial & Cover front:

Black Scorpion, 3, Oct. 1991: “Black Mailer’s Auction.” Writ., George Stryker (Dave Darrigo): 1-16.

Piranha Is Loose, 1, Jan.1991: “Silver or Lead.” Writ., Dave Darrigo. Let., Fred Fairfield: 1-32.

Piranha Is Loose, 2, March 1991: …. Special Studio. Black & white.

“Expedition Into Terror.” Writ., D. Darrigo. Let., F. Fairfield: 1-22.

“Tony Bravdo Trouble Shooter -Fox Hunt.” Writ., Dave Darrigo. 1- 10.

Content story & Cover front:

Atomic Overdrive,1, no date: “…”. Caliber Comics. Black & white.                                             “The Creature That Craved My Comet.” Writ., Dave Darrigo: 1-16.                                   “Hot Rods And Zombies – One Of Our Zombies Is Missing.” Writ., Darrigo: 1-16.

Atomic Overdrive, 2, no date: “:….”. Caliber Comics. Black & white                                            “Hot Rods And Zombies – Hot Rods = Cold War.” Writer, Dave Darrigo: 1-10.                  “They Want To Warp Our Minds.” Writ., Dave Darrigo: 1-13.

Cover front:

Black Scorpion,1, April 1991.

PENCILLER:

PERIODICAL GRAPHIC:

Content serial:

Supercops, …: “” Writ., Chuck Dixon…… Col., Kelly Kinsey & Holly Sanfelippo, Suzanne Dechnik. Let., Patrick Williams.
1-2, Oct. 1990: “ND Generation” …. In., Enrique Villagran

1-4, Dec. 1990: “The Samaritan.” In., John Strangeland.

Solar: Man of the Atom,1-23, July 1993: “Split Decision, Afraid of the Darque: Pt 3.” Writ., Kevin Vanhook. In., Stan Drake. Col., Carol Vanhook.

Solar: Man of the Atom, …: “….” Writ., Kevin Vanhook. In., Jimmy Palmiotti. Col., Carol Vanhook.
1-27, Nov. 1993: “Awake in the Dreamtime.”…

1-28, Dec. 1993: “Fool’s Paradise.” …

1-29, Jan. 1994: “An Angry Light.” ….
Solar: Man of the Atom, …: “….” Writ., Kevin Vanhook. In., Jimmy Palmiotti. Col., Mark Pusateri
1-30, Feb. 1994: “Ravenus.” ….

1-31, Mar. 1994: “Noel Nightmare.” ….

1-32, Apr. 1994: “Parent’s Night.” ….

Solar: Man of the Atom, 1-33, May 1994: “Genocide, Pt. 1 of 3.” Writ., Kevin Vanhook. In., Jimmy Palmiotti. Col., Carol Vanhook.

Mickey Spillane’s Mike Danger …: “ …”. .Creators, Mike Spillane & Max Allan Collins. Writ., M. A. Collins. In., T. Beatty.
1-9, March 1996: “The Head Man.” Let., T. Harkins. Col., Heroic Age.

2-1, June 1996: “Virtual Man.” Let., T. Harkins. Col., Heroic Age.

2-2, July 1996: “Bring Me The Head of Michael Danger.” Let., Clem Robins. Col., Prismacolor.

2-4, Sept. 1996: “A Woman Called Mann.” Let., T. Harkins. Col., Heroic Age.

CO-ILLUSTRATOR:

PERIODICAL GRAPHIC:

Cover front:

Solar: Man of the Atom …:. Co-illus., Palmiotti.
1-31, March 1994 1-32, April 1994. 1-33, May. 1994.

SOURCE:

Interview & Correspondence:

Dave Darrigo February, 2009.

GRASTON Mike

GRASTON Mike

Born 1954 in Montréal.

An honours graduate of the University of Western Ontario, he drew cartoons for the University newspaper and later for the Last Post. In 1977 the Ottawa Citizen hired him as an office boy but soon had him drawing editorial cartoons.. He drew a weekly cartoon and filled in for principal editorial cartoonist Rusins Kaufmanis when he was on holidays. In 1979, he hired on as a full time editorial cartoonist/ In 1982 he was syndicated by Miller Services. His cartoons appeared in newspapers in Canada and the U.S.A. His work was featured on CBC & CBC Newsworld, CTV and ABC’s Nightline.

In 2003, the Art Gallery of Windsor and the National Archives of Canada, joined forces to create a 20 year retrospective of his work.

WORK:

CARTOONIST:

BOOK GRAPHIC ANTHOLOGY:

Content editorial cartoon:

The Art of Political Cartooning in Canada/1980. Ed., Steve Bradley. For., Robert LaPalme. Virgo Press, Oct. 1980: 42, 57, 82, 94, 100, 143, 181.

Best Canadian Political Cartoons, 1983. Ed., N.M. Stahl. For., David Rosen. McClelland & Stewart Ltd. Sept. 1983: 31, 34, 97, 125, 146, 199.

Best Canadian Political Cartoons, 1984. Ed., N.M. Stahl. For.,Robert LaPalme. McClelland & Stewart Ltd. Sept. 1984; 29, 37, 74, 89, 100, 132, 208.

Caricature . Cartoons Canada. Ed., Terry Mosher. Linda Leith Publishing, 2012: 56.

Portfoolio, The Year 85 In Canadian Caricature. Ed., Guy Badeaux & Alan King. Writ., Charles Gordon. Ludcom Inc. 1985.

Portfoolio, The Year 86 In Canadian Caricature. Ed., Guy Badeaux. Writ., Charles Gordon. Ludcom Inc. 1986.

Portfoolio, The Year 87 In Canadian Caricature. Ed., Guy Badeaux . Ludcom Inc. 1987.

Portfoolio 6: The Year in Canadian Caricature. Ed., Guy Badeaux . Writ., Charles Gordon. Macmillan of Canada, 1990.

Portfoolio 12: The Year’s Best Canadian Editorial Cartoons. Ed., Guy Badeaux . Writ., Ken MacQueen. Macmillan of Canada, 1996.

Portfoolio …. The Year’s Best Canadian Editorial Cartoons. Ed., Guy Badeaux . Writ., Jay Stone Macmillan of Canada, …
14, 1998. 15, 1999. 16, 2000. 17, 2001.

Portfoolio 18: The Year’s Best Canadian Editorial Cartoons. Ed., Guy Badeaux. Writ., Scott Feschuk. McClelland & Stewart Ltd., 2002.

Portfoolio …. The Year’s Best Canadian Editorial Cartoons. Ed. & Writ., Guy Badeaux . McArthur & Co. …
19, 2003. 20, 2004. 21, 2005.
Portfoolio …: The Year’s Best Canadian Editorial Cartoons. Ed., & Writ., Warren Clements. McArthur & Co. ….
22: 2006. 23: 2009. 24: 2010. 25: 2011.

BOOK TEXT & GRAPHIC:

Content editorial cartoon & essay:

Anglo 2 the sequel. Ed., Pamela Chichinska & Lynette Stokes. Montréal: Eden Prees:1988: 107.

SOURCE:

Article book:

The Hecklers. Writ. & Ed.., Peter Desbarates & Terry Mosher. McClelland & Stewart Ltd., 1979: 238.

Portfoolio, The Year 85 In Canadian Caricature. 1985: “Mike Graston:” 205.

Portfoolio 25: The Year’s Best Canadian Editorial Cartoons. 2011: “Mike Graston”: 165.

GRASSICK Bert

GRASSICK Bert

“I remember in the 1930’s, drawing cartoons for the CCF News that poked fun at various financial interests. However at the same time, I drew cartoons for the Financial Post that poked fun at the CCF.”                                                                  The Hecklers: 238.

Born 1909 in Victoria British Columbia.

In 1929 he moved to Toronto to join his brother who was working in a commercial art studio. He developed a rapid brush technique initially influenced by the work of British cartoonist Sir David Low.

In 1930, his first cartoon appeared in the Maclean’s Magazine. By 1936, his cartoons were appearing regularly in Maclean’s, where he subsequently drew about three cartoons per issue for the next twenty-five years. He also illustrated Blair Fraser’s column “Backstage at Ottawa” that appeared in the same magazine. In 1953, he began drawing editorial cartoons for the Telegram [Toronto] He also worked for the Financial Times.

In the 1940’s, he was considered “unexcelled as a draughtsman by any other Canadian cartoonist”. [The Hecklers: 237] In this period he also mentored Lewis Parker.

During the 1950’s he was the most prolific cartoonist in Canada. In addition to his work at Maclean’s, he drew six editorial cartoons a week for the Telegram between 1954 and 1962. He was cartoonist for the Forum and freelanced for other publications.

He taught at the Ontario College of Art and Design

He died in 1998.

WORK:

CARTOONIST:

BOOK TEXT:

Content editorial cartoon & Cover book front:

This Is The House. Writ., Judith Robinson. McClelland & Stewart Ltd., 1957. A selection of editorial cartoons used as illustrations.

PERIODICAL TEXT ANTHOLOGY:

Content editorial cartoon::

Maclean’s, 18 May 1958: 2.

ILLUSTRATOR:

BOOK TEXT:

Content memoir & end papers:

Hey Ma! I Did It. Writ., Margaret Aitken. Toronto: Clarke Irwin & Co. Ltd., 1953.

PERIODICAL TEXT ANTHOLOGY:

Content information:

Maclean’s, 58-4, 15 Feb. 1945: “Austria’s Underground Fights For Liberation.” Writ., W. Frischauer: 5.

SOURCE:

Article book:

The Hecklers. Writ. & Ed.., Peter Desbarates & Terry Mosher. Toronto: McClelland & Stewart Ltd., 1979: 237-238.

This Is The House. Writ., Judith Robinson. McClelland & Stewart Ltd., 1957. Back cover.

GALLERY:

C:\Users\Robert\Documents\CANADIAN CARTOONING ILLUSTRATION and ANIMATION\IMAGE BY CARTOONIST OR ILLUS. G\GRASSIK BERT, Telegram [Toronto], 13 June 1953, 4.jpgThe Telegram, 13 June 1953: 4.

C:\Users\Robert\Documents\CANADIAN CARTOONING ILLUSTRATION and ANIMATION\IMAGE BY CARTOONIST OR ILLUS. G\GRASSIK BERT, Telegram [Toronto], 27 June 1953, 4.jpgThe Telegram, 27 June 1953: 4.

GRASDAL James

GRASDAL James

Born in Edmonton.

In 1992, began freelancing at the Edmonton Journal drawing 1 to 2 editorial cartoons and 2 to 3 illustrations per week. He was also the regular cartoonist for VUE magazine of Edmonton.

WORK:

CARTOONIST:

BOOK GRAPHIC ANTHOLOGY:

Content editorial cartoon:

Portfoolio…: The Year’s Best Canadian Editorial Cartoons. Ed., Guy Badeaux . Writ., Ken MacQueen Macmillan of Canada, ….
11: 1995. 12: 1996.
Portfoolio …. The Year’s Best Canadian Editorial Cartoons. Ed., Guy Badeaux . Writ., Jay Stone Macmillan of Canada, …
13, 1997. 14, 1998. 15, 1999.

SOURCE:

Article book:

Portfoolio 12: The Year’s Best Canadian Editorial Cartoons.1996: “James Grasdal”: 147.

GRANT Andrew

GRANT Andrew (“Spanky”)

Vancouver based, he was Supervising animator for Reboot the first fully computer-generated TV series. He supervised the pilot episode of Transformers: Beast Wars and created the multimedia inserts for the animated TV series Beetlejuice.

SOURCE:

Article periodical:

Shift, July 1997: “The Great Animation Conspiracy”: 41.

GRAND SLAM COMICS

GRAND SLAM COMICS; GRAND SLAM/THREE ACES COMICS

See                                                                                                                                      ANGLO-AMERICAN PUBLISHING CO.                                                                            CLIP THOMSON & TUB                                                                                                    COMMANDER STEEL                                                                                                        CRUSADERS                                                                                                                      DON SHIELD & HIS REVERSO RAY                                                                                DR DESTINE                                                                                                                      PAT THE AIR CADET                                                                                                        RED ROVER                                                                                                                    SOOPER DOOPER

 

GRACHOW Keith

GRACHOW Keith

He has teamed up with his mother Amy Grachow to self-publish a series of children’s action adventures called “Up-In-The-Sky” which includes On a Planet Named Up-In-The-Sky, What Does Slog Do? And Above A Planet Named Up-In-The-Sky. He created a cartoon mini-book series called “Concrete Martians”. He has illustrated Mitch Cook’s series “Saltwater and books 2 and 3 of the “Arcane Awakening” trilogy. \

WORK:

ILLUSTRATOR:

BOOK GRAPHIC ANTHOLOGY

Content story:

Toronto Comics, v. 3, Ed., Steve Andrews et al. Toronto Comics Anthology, May 2016: “Snow Blind.” Writ., Howard Wong: 22-31.

SOURCE:

Article book:

“Keith Grachow.” Toronto Comics, v. 3, Ed., May 2016: 22.