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SANSOM Erik

SANSOM Erik

Erik Sansom, a resident of Stratford Ontario in 1991, began cartooning professionally at the age of 14 when he initiated a cartoon strip “Omar and Ernie” in the Toronto Sun that ran for about five years. At age 19 he entered a three year program at Sheridan College and after graduating worked as a freelance animator for a few years. Deciding that he liked cartooning best, because he had complete control over the product, he returned to this career. At age 32 he launched “Green Earth Crusaders”: his first syndicated cartoon. At its initiation in the “Starship” section of the Toronto Star on January 13, 1991 it appeared in 12 newspapers

WORK:

CARTOONIST:

NEWSPAPER;

Content strip cartoon:

Toronto Sun:  “Omar and Ernie”: approximately 1973 to 1979:

Toronto Star: “The Green Earth Crusaders”: Jan.13 1991: F8. Last known appearance April 16, 1995:F7

SOURCE:

Article newspaper:

Toronto Star, 13 Jan.1991: “Meet the artist behind Starship’s new cartoon.” Writ., Pippa Wysong: F8.

SANDHAM Henry

SANDHAM Henry

Born 24 May 1842 in Montréal.

This photographer, book and magazine illustrator and painter, apprenticed with the famous Montréal photographer William Notman. In 1878 he won a silver medal at the universal exposition in Paris France for his composite photograph of the Montréal Snow Shoe Club. In 1880 he was made a member of the Royal Canadian Academy. He moved to Boston U.S.A. and did illustrations for Scribner’s Century and Harper’s magazine. He moved to England in 1901 where he continued to illustrate and paint.

Died 21 June 1910 in London England.

WORK:

ILLUSTRATOR:

BOOK TEXT & GRAPHIC:

Content history:

A Picture History of Canada. Writ., Jessie McEwen & Kathleen Moore. Thomas Nelson & Sons Ltd. No date:
30: Defense Of The Long Sault.

38: “My Guns Will Give My Answer” – Frontenac 1690.

 48: The Capture Of Quebec.

52: Landing Of The Loyalists 1783.

 

SANDERSON Steven

SANDERSON Steven Keewatin

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE OF PERSON\S\SANDERSON Steven K, .jpg                                          Taken from “A New Legacy with Len Pierre: Len Interview With Steven Keewatin Sanderson.”

“Growing up my favourite animation without a doubt was Katsuhiro Otomo’s ‘Akira’. … I can remember being so overwhelmed by what I was watching. I couldn’t fully understand it but I knew from that day on I had to tell stories.”   Taken from “A New Legacy with Len Pierre: Len Interview With Steven Keewatin Sanderson.”

Born in Saskatoon Saskatchewan.

He moved to Vancouver in 1999/2000 to study animation at the Vancouver Film School. Following this he worked five years as a storyboard artist on ED, Edd”n Eddy for the Cartoon Network, and on the Disney video game Treasure Island and the game Bully for Rockstar.

In 2005, he was awarded a grant from the Canada Council for the Arts to develop Darkness Calls a short animated film. He later developed this into a book by the same name. He has since followed this with graphic books, An Invited Threat, Level Up, Just A Story, Journey Of The Healer, Path Of The Warrior, Lighting up the Dark and Rock Bottom. He has illustrated Richard Van Camp’s Blue Raven.

In 2015, he appeared on and contributed to CBC’s four part documentary series 8th Fire. He has been a keynote speaker at the Alaskan Native Tribal health consortium and at the 2015 Comics & Medicine Conference at the University of California.

WORK:

CARTOONIST:

BOOK GRAPHIC ANTHOLOGY:

Content story:

 Moonshot: the Indigenous Comics Collection, v. 2. Ed., Hope Nicholson. 2017: “Where We Left Off”: 115-123.

SOURCE:

 Article book:

Moonshot: the Indigenous Comics Collection, v. 2. Alternate History Comics Inc.,         2017: “Biographies”: 153.

Web:

“A New Legacy with Len Pierre: Len Interview With Steven Keewatin Sanderson.” Interviewer, Len Pierre. 15 October 2013. https://newlegacyinterviews.wordpress.com. Accessed 14 May 2018.

“Steven Keewatin Sanderson.” www.kewatinsturdios.com.

 

SAMURAI

SAMURAI

Created by Ottawa cartoonist Barry Blair and published by Aircel Comics also of Ottawa.

SOURCE:

Toronto Star, 27 February 1987:“Here’s your guide to superheroes of Canadian comics”: D6.

 

SALINA Joe

SALINA Joseph

He is a Toronto based free-lance illustrator whose work has appeared not only in Canada but in the U.S., Europe, Asia and Africa as well.

He formed his own company Joseph Salina Incorp. in September 1974.

He was an instructor in illustration at the Ontario College of Art and Design from September 1998 until he retired in June 2015.

He continues to work as a freelance illustrator.

WORK:

ILLUSTRATOR:

BOOK TEXT:

Cover dust jacket front:

The Luck of the Irish. Writ., Harry J. Boyle. Macmillan of Canada Ltd., 1975.

PERIODICAL TEXT ANTHOLOGY:

Content essay:

The Canadian …: “…” Writers and pages usually unknown.
… 11 February 1970: “The Funny Money Family”..

… 28 January 1975: “3. Supreme Court”.

… 21 August 1976: “Blood Toil, Tears – and Ice”.

… 13 November 1976: “Zoo Futures”.

… 27 November 1976: “The Plastic Cup”.

… 25 December 1976: “Cleaning Up Christmas”.

… 14 January 1978: “To Listen and Help a Bit”.

… 21 January 1978: “City Span: Sounds of the Subway to get from pain to outrage, transfer at Dorski ”.                                                         “City Span: Jack’s Town: In a basement …, Jack uncovers a mess … ” Writ., Jack  Batten. .

… 4 February 1978: “City Span: Jack’s Town: Stage Fright”. Writ., Jack Batten: 22d.                                                                                       “City Span: Garbage Delight the TTC goes Gucci”: 2c

… 11 February 1978: “Canines on crutches: keeping the doghouse out of the poorhouse.”

… 11 March 1978: “City Span”.

… 25 March 1978: “City Span: Liensmanship”.

… 8 April 1978: “City Span: Great Scrawls: My Green Heaven: the town’s best salad bar”.                                                                      “City Span: Mean Dogs: Joggers beware: Cecil of York Mills wants your sweatpants”.

… 22 April 1978: “City Span: Great Scrawls: Hungarian rhapsody; the city’s best schnitzel”.

… 6 May 1978: “City Span: Great Scrawls: The shell game; Toronto’s best clam chowder”.

… 20 May 1978: “City Span: Great Scrawls”.

… 3 June 1978: “City Span: See How They Run”. Writ., Unknown: 2a.                                                                                                      “City Span: Great Scrawls: Mighty mollusk: the city’s best mussels mariniere”

… 10 June 1978: “City Span: Great Scrawls: Mighty mollusk: the city’s best mussels mariniere”.

… 17 June 1978: “City Span; Great Scrawls: Concierto de gazpacho: the city’s classiest tomato soup”.

… 1 July 1978: “City Span: Great Scrawls: Sayonara shrimp: the city’s best Tempura”.

… 8 July 1978: “City Span: “Arabian Night School”: 18a.

… 15 July 1978: “City Span: Great Scrawls: Centrifugal serenade: the best chocolate milk shake in town”. Writ.,                                      Lenny Wise & Natalie Fruman.

… 29 July 1978: “City Span: Great Scrawls: Chicken Little: the city’s best egg sandwich”. Writ., Lenny Wise &                                          Natalie Fruman.

… 7 October 1978: “Cougars in the Classroom”. Writ., Lyn Hancock:

… …October 1978: “City Span: Great Scrawls: My Kosher Love: the city’s best pastrami sandwich”. Writ.,                                                     Larry Wise: 4b.

… 25 November 1978: “City Span: Sweat couture: what the well-dressed jogger is wearing this season”: 4b.

Canadian Living, September 1980: “Take a bully by the horns!”. Writ., S. Lawrence & C. Reed: 115.

Chatelaine, May 1978: “Moms And Lovers”. Writ., Eleanor Hyde: 42.

The City, Toronto Star Sunday Magazine …: “…” Writ., Martin O’Malley: …
… 2-40, October 1, 1978: “Y’r Really Out: An Inquiry Into … Playing Baseball With Your Boss”. …: 4.

… 2-42, October 15, 1978: “Columnist Bites The Hand That Feeds Him. Columnist Better Watch Step”. …: 4.

… 2-43, October 22, 1978: “Mad As Heck At Bloor Street Fashions And Other (Censored) Subjects”. …: 4.

… 2-44, October 29, 1978: “Woman Goes Ape In Toronto Restaurant, Waiters Ignore Her”. …: 4.

… 2-45, November 5, 1978: “In The Hollywood Version Toronto Is One Run-down City”. …:4.

… 2-48, November 26, 1978: “The Church’s Other Foundation: A New Boss At T… Eaton Memorial”. …: 4.

… 2-51, December 17, 1978: “Santa Baby, If It’s The Thought That Counts, Keep Thinking”. …: 4.

… 3-1, January 7, 1979: “Standing By As The Country Recognizes An Authentic Genius”. …: 4.

… 3-7, February 19, 1979: “Getting hit below the belt and recalling the better part of valor”. …: 4.

… 3-25, June 24, 1979: “Getting the bird: Nothin’ could be finah than a promoter with a Mynah”. …: 4.

… 3-38, September 23, 1979: “Sensing the rhythm of a south seas sail…”. …: 4.

… 3-45, November 11, 1979: “I am not a disco person. I won’t dance. Don’t ask me”. …: 6.

…3-49: December 9, 1979: “The guilt-free pleasures of quitting time”. …: 4.

… 3-51: December 23, 1979: “There’s no defense against the merries”. …: 4.

… 4-1, January 6, 1980: “In praise of much older women”. …: 4.

… 4-2, January 13, 1980: “Trying to love Hamilton. Not succeeding”. …: 4.                                                                                                  “The City picks”. Unknown author: 6.

… 4-3, January 20, 1980: “Things I can’t quite get a handle on”. …: 4.

… 4-6, February 10: 1980: “The mad-cap liturgy of The Rocky Horror Picture Show”. …4.

… 4-7, February 17, 1980: “The only Blue Jay who doesn’t play south for winter”. … 4.
Maclean’s …
… 27 December 1976: “Things best left alone”. Writ., M. Enright: 20, 21, 22, 24,26.

… 4 April 1977: “Love your Jays while they’re young,  …”. Writ., J. Robertson: 63.

… 12 February 1979: “Same tax next year”. Writ., Unidentified: 31.

… 19 May 2003: “Tt’s Gnawing At Me”. Writ., Patricia Treble: 55.
Saturday Night ….
… September 1996: “Sheila, your show is slipping”. Writ., P. Palango: 32-33, 34, 36.

… October 1996: “vicious circle”. Writ., Susan Gittins: 125.
TV Guide …
… 24 May 1997: “The Thursday Trap”. Writ., David Kronke: 9.

… 21 June 1997: “The truth about Ellen”. Writ., Chris Loudon.

… 26 July 1997: “Reality Check”. David Kronke: 12.                                                                                   “ER”. Writ., Steven Cole: 15.

… 13 September 1997: “Going the Distance”. Writ., David Kronke: 18-19, 20-21, 22.

… 15 November 1997: “mad about baby”. Writ., Andrew Ryan: 21.

Weekend, 29 October 1977: “Murderers Are Wicked”. Writ., Unknown

Content essay & cover front:

Harrowsmith, 88, Nov./Dec. 1989: “Songbird Blues: Canadian Songbirds in the Shrinking Rain Forest”. Writ., Jack Conner: 39.

Maclean’s, May 3, 2004: “Exclusive Canada-U.S. Poll: The Know-It-All Neighbour”., Writ. J. Gatehouse: 25

Cover front:

Cottage Life, May 1997.

Financial Post Magazine, March 1999.

 Maclean’s 13 June 2005.

Radio Guide, 6-10, October 1986.

 Radio Guide, 7-2, February 1987

Report On Business, March 1988.

NEWSPAPER:

Content essay & editorial cartoon:

Toronto Star….
… 24 July 1974.

… 7 January 1977: “Two Out Five Delinquents Have Committed No Crime”. Writ., Unknown.

… 8 November 1977: “Rapist: Young, unsure, a mama’s boy” Writ., Unknown

… 24 May 1978: “The Issues …”.

… 17 February 1980” “The Issues: Canada shuns gasohol option”. Writ., Unknown: A10.

DISC AUDIO 33RPM:

Artwork::

Allan McFee’s Eclectic Circus, Perf., Allan McFee. Tapestry Records and Tapes Ltd., 1981. D7379.

GALLERY:

A drawing of a person lying on the ground Description automatically generatedToronto Star, 24 July 1974.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\S\SALINA Joe, Luck of the Irish, 1975, fc.jpgThe Luck of the Irish. 1975: Front cover.

A close-up of a cover Description automatically generatedChatelaine, May 1978: 42.

A magazine cover with a cartoon of a person sitting in a chair Description automatically generatedRadio Guide, February 1987: Front cover.

A cover of a magazine Description automatically generatedHarrowsmith, 88, Nov./Dec. 1989: 39.

A magazine cover with a cartoon of a beaver riding a bag Description automatically generatedCottage Life, May 1997. Front cover.

A cover of a book Description automatically generatedFinancial Post Magazine, March 1999: Front cover.

A magazine cover with a beaver wearing a shirt and a hat Description automatically generatedMaclean’s May 3, 2004: Front cover.

DOUGLAS Max

DOUGLAS Maxim “Max”                                                                                                After 1996 he adopted the pseudonym “Salgood Sam”.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE OF PERSON\D\DOUGLAS Max, self portrait sent by email.jpg                          A self portrait sent by email, 22 December 2020..

Born 15 September 1970 in Toronto

Max’s biggest influence has been his family. His mother is Arna Selznick, his father Lionel Douglas (1944-1979) was a poet and photographer and his step father is John van Bruggen.

Although he studied art at Wexford Collegiate Institute now called Wexford Collegiate School For The Arts (Toronto) from 1985 to 1987 he is mostly self taught starting to freelance in his late teens with help from mentors like Ron Sutton and Ty Templeton. While still in high school 1985/86, he began the project “Matrix” which was a story about man-made mutants. After leaving high school, he finished and published it as a fanzine sold in Toronto comic shops then he dropped the idea. “A formative learning project, I came to recognize was not really what I wanted to do.” he has since commented.

By age 21 he was working full time as an artist working on various projects. He did a two month stint November to December in 1990 at Works of Imagination designing mutants and aliens for B movies and he initiated his first two published projects which appeared in 1991. He participated with Al Roy illustrating the story “Captain Censor vs. Dr. Goingtoofar” in True North II published by Derek McCulloch’s Comic Legends Legal Defense Fund and again with writer Al Roy, he co-created the series Nature of the Beast and illustrated the first two and a half issues. Half way through the third issue, he was faced with a choice between continuing with a paying project or following his own principals. He ended his participation in the project when he refused to illustrate misogynic violence written into the last half of issue 3. Meanwhile, in April 1991, he did an apprenticeship with Dave Ross on Cloak & Dagger, 3-18, June 1991. Following his work with Dave, he returned, from August to September of the same year. to designing creatures and drawing illustrations for the role playing game Mutation.

His first job in mainstream comics came from Marvel Comics where he was asked to ink pencils for “Circle of Vengeance part 3”in Clive Barker’s Night Breed 1-20, October 1992. Max later stated, “It was the fastest I ever drew, I think I did 19 full size … pages of art in 10 days.” The editors were impressed enough to have him illustrate “The One That Got Away” which appeared in Night Breed 1-23, January1993. He was then asked to join the team producing “Saint Sinner” the flag ship of four interconnected series in Clive Barker’s Razorline a sub imprint of Marvel Comics. He illustrated issues 1, October 1993 to 4, January 1994 and inked issue 5, February 1994.

A job with DC Comics followed in August 1994. He inked a black and white ten page “Bloodwynd” story ‘Hero of Choice’ that appeared in Showcase’94, 5, May 1994. About the same time he illustrated “Song of the Blood Opal” for Doctor Strange Sorcerer Supreme, 63, March 1994. He worked on short projects like an Elaine Lee story “ Another Sleepless Night” in Skin Tight Orbit (1995) , a “Spiderman” story “Behind The Eight Ball” in the anthology 2099Unlimited # 8, April 1995, and illustration work for Byron Press Multimedia (1996 to 1999).

Scratch Scratch (1996/97) represents his first effort at autobiography. There were three versions of this publication, all of which included his autobiographical stories. These were an oversized publication (13”x 17”) which added a few one page comics, an anthology (10” x 13”) which added fictional stories by George Rizok and Mark Laliberte, and finally a mini edition (5” x 8.5”) which added other fictional stories by Max.

After about 1996 Max began using the nom de plume “Salgood Sam”, and shortly after that in 1997, he moved to Montréal. There, he became involved in a DC Comics/Paradox Press project “The Big Book Of…” series for which he illustrated five features in four books. Remaining with DC he illustrated his first novella “Wonder Woman vs. the Red Menace”, Realworlds: Wonder Woman April 2000. At this point Max is signing as Salgood Sam.

In 2001, he founded Spilt Ink a company to publish both digital and print copies of his personal projects and some reprints of stories he had done for clients. Many of these efforts, he published in the Revolver Quarterly volumes 0 & 1, the last appearing in 2019. They have since been reprinted.

He founded SEQUENTIAL: Canadian Comics News and Culture Since 2002. a can-con comics news site. To quote its objective: “This blog exists to give Canadian creators and publishers a stronger voice in the north american market.” It was originally launched August 2001 as the news page of the Monthly Montreal Comix Jams (MMCJ’s) where Max was a host. It was revamped and assumed its present form by December 2002. SEQUENTIAL is a nonprofit site run by volunteers. Special print editions of it were published for the Toronto Comic Arts Festivals in 2009, 2010, and 2011. In 2019, there has been a relaunch of the magazine producing digital and print on demand issues.

While handling SEQUENTIAL he teamed up with Toronto scifi novelist Jim Munroe to create the graphic novel Therefore Repent published in 2007. It explored the Christian concept of “The Rapture” which occurs during an eschatology. It was both a critical and commercial success.

For the Ghostbusters Holiday Special: Tainted Love (February 2010), Salgood Sam as illustrator teamed up with friend Bernie Mireault as colourist.

In 2014, under his Split Ink imprint he published the first volume of Dream Life A Late Coming Of Age novel. A second volume is in the works. In the same year he began a project with American writer, Mark Sable which imagined the life of Vlad Tepes from just before he was born to his appearance in Bram Stoker’s novel. The first part of the story, up to his coming of age, would finally be collected and published by Mark through ComiXology as Dracula: Son of Dragon in 2019.

In 2018 he entered a new field when he was hired by Centre integer universitaire de santé et de services sociaux de l’Est-de-l’Île-de Montréal to illustrate interviews with caregivers about the highs and lows of working with the elderly and infirm. The resulting cartoons were collected in two booklets L’Art Quotidien Des Details and A Daily Art In The Details which can be a downloaded free to anyone.

WORK:

CARTOONIST:

BOOK GRAPHIC:

Content novel & Cover front & back:

Dream Life: A Late Coming Of Age. Split Ink, 2014.

CARTOONIST & ILLUSTRATOR:

PERIODICAL GRAPHIC COLLECTION:

Content various & Cover front & back:

Revolver, 0. Split Ink, 18 October 2020.

Revolver, 1. Split Ink, 18 October 2020.

ILLUSTRATOR:

BOOK GRAPHIC:

Content novel & Cover front:

Therefore Repent! Writ., Jim Munroe. No Media, 2007.

A Daily Art In Details, Research, François Aubrey, Baptiste Brossard, Flavie Lemay. CRPS InterActions, CIUSSS du Nord-de-l’Île –de-Montréal, 2018.

Content story:

The True North II, Ed. & Publ., Derek McCulloch, 1991: “Captain Censorship vs. Dr. Goingtoofar.” Writ., Al Roy.

PERIODICAL GRAPHIC:

Content serial:

Nature of the Beast, 1-1, 1991: Writ., Al Roy. Let., Ron Kasman. Caliber Press. Black & white.

Nature of the Beast, 1-2, 1991. “Home Free.” Writ., Al Roy. Caliber Press. Black & white. Wrap around cover also illustrated by Max Douglas.

Content serial & Cover front:

Clive Barker’s Night Breed, 1-23, Jan. 1993: “The One That Got Away.” Writ., James Moore. Col., Christie Schelle. Let., John Costanza. Epic Comics. Colour.

Clive Barker: Saint Sinner, : Writ., Elaine Lee. Col., Christie Scheele. Razorline/Marvel. Colour.
1-1, Oct. 1993: “Skreech.” 1-2, Nov. 1993: Earth Angel.” 1-3, “Exile.” Let., Janice Chang.

PERIODICAL TEXT & GRAPHIC:

Content excerpt from novel:

Taddle Creek, X-1, Christmas 2006: “Therefore Repent (An excerpt) Writ., Jim Munroe: 24-27.

DOWNLOAD:

 A Daily Art In The Details. Researchers: François Aubry, Baptiste Brossard, Flavie Lemay. Centre integer universitaire de santé et de services sociaux de l’Est-de-l’Île-de Montréal Centre integer universitaire de santé et de services sociaux de l’Est-de-l’Île-de Montréal, 2018.

SOURCE:

Correspondence:

Email Salgood Sam to Robert MacMillan, 2 May 2020.

Email Salgood Sam to Robert MacMillan, 3 May 2020.

Email Salgood Sam to Robert MacMillan 10 November 2020.

Email Salgood Sam to Robert MacMillan, 22 December 2020.

Internet:

https://sequentialpulp.ca/about/ Accessed 2 September, 2020.

https://www.salgoodsam.com/bio/bibliography/ Accessed September 2020.

GALLERY:

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\S\SALGOOD Sam_files\image001.jpgImage from email Salgood Sam to Robert MacMillan 3 May 2020.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DOUGLAS Max, Nature of the Beast, 1, 16.jpg Nature of the Beast, 1-1, 1991: 16.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DOUGLAS Max, Nature of the Beast,2, fc.jpgNature of the Beast, 1-2, 1991: Front cover.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DOUGLAS Max, Taddle Creek, 17 Christmas 2006, 24.jpgTherefore Repent! Writ., Jim Munroe. No Media, 2007: 12. An excerpt also appeared in Taddle Creek, X-1, Christmas 2006: 24.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DOUGLAS Max, Taddle Creek, 17, Christmas 2006, 25.jpgTherefore Repent! Writ., Jim Munroe. No Media, 2007: 15. An excerpt also appeared in Taddle Creek, X-1, Christmas 2006: 27.

0093.jpgDream Life: A Late Coming Of Age, 2014: 89.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DOUGLAS Max, Dream Life, 2014, 103.jpgDream Life: A Late Coming Of Age, 2014: 103.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DOUGLAS Max, Dream Life, 2014, 141.jpgDream Life: A Late Coming Of Age, 2014: 141.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DOUGLAS Max, Dream Life, 2014,161.jpgDream Life: A Late Coming Of Age, 2014: 161.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DOUGLAS Max, A Daily Art In The Details, 2018, 0.jpgA Daily Art In Details, CRPS InterActions, CIUSSS du Nord-de-l’Île –de-Montréal, 2018: Front cover.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DOUGLAS Max, A Daily Art In The Details, 2018, 2.jpgA Daily Art In Details, CRPS InterActions, CIUSSS du Nord-de-l’Île –de-Montréal, 2018: 2

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DOUGLAS Max, A Daily Art In The Details, 2018, 5.jpgA Daily Art In Details, CRPS InterActions, CIUSSS du Nord-de-l’Île –de-Montréal, 2018: 5

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DOUGLAS Max, A Daily Art In The Details, 2018, 6.jpgA Daily Art In Details, CRPS InterActions, CIUSSS du Nord-de-l’Île –de-Montréal, 2018: 6.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DOUGLAS Max, A Daily Art In The Details, 2018,14.jpgA Daily Art In Details, CRPS InterActions, CIUSSS du Nord-de-l’Île –de-Montréal, 2018: 12.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\D\DOUGLAS Max, A Daily Art In The Details, 2018, 15.jpgA Daily Art In Details, CRPS InterActions, CIUSSS du Nord-de-l’Île –de-Montréal, 2018: 15.

SALAS Ronald

SALAS Ronald

Born and raised in Mississauga, he currently lives in Orlando, Florida. He made his debut in the second volume of the critically acclaimed Image Comics anthology Pop Gun. His other credits include 28 Days Later, Dracula: Company of Monsters, and Existence.

WORK:

ILLUSTRATOR:

BOOK GRAPHIC ANTHOLOGY:

Content serial:

True Patriot: All New Canadian Comic Book Adventures. Ed., J. Torres. True Patriot Comics, 2013: “Dominion Jack in ‘My Way’.” Writ., Jack Briglio. Let., Ed Brisson: 17-26.

True Patriot: Heroes Of The Great White North. Ed., J. Torres. True Patriot Comics, 2014: “Dominion Jack in ‘Difference’.” Writ., Jack Briglio. Let., Howard Wong: 105-112.

PERIODICAL GRAPHIC:

Content serial & Cover A front:

Northguard. 1, Aug. 2016. Chapter House Comics: “Northguard: Aurora Dawn Part 1.” Writ., Anthony Falcone. Col., Irma Kniivila. Let., Ed Brisson.

Northguard. 2, Sept.. 2016. Chapter House Comics: “Northguard: Aurora Dawn Part 2: Dangerous Encounter.” Writ., Anthony Falcone. Illus., pg 1-3, Ron Salas, pg 4-20, Eric Kim. Col., Juanco. Let., Ryan Ferrier.

Cover A front:

Northguard. 3, Oct. 2016. Chapter House Comics.

SOURCE:

Article book:

True Patriot: All New Canadian Comic Book Adventures. Ed., J. Torres. True Patriot Comics, 2013: “About the Creators”: 104.

SACRED AND PROFANE

THE SACRED AND THE PROFANE 

“The Scared and the Profane” written by Dean Motter and illustrated by Ken Steacy first appeared in Star Reach issue 9, June 1977 and finished in issue 13, August 1978. In Star Reach issue 14, August 1978 there was an epilogue about a sister mission. The book version appeared in 1987 but did not contain the epilogue. .

The story begins in the fifth year of the deep space expedition of the “St Catherine” Mission when it encounters a living alien object. The mission which is composed of both ecclesiastical and lay crew members, was launched by the Roman Catholic Church as a missionary effort after a signal from space indicated there is intelligent life within the Andromeda Galaxy.

The Mission’s attempt to contact this life form is answered by an apparently violent act. Before an assessment of possible damage can be made “Joshua” Captain of the “Legion of Purification” and an ex-Navy pilot perceives this as a “Holy War” and launches an attack of his own against the orders of Arch-Bishop Franklin, the leader of the expedition. It is significant that in the early stages of planning the mission, it was argued whether or not it required a defense force. It was decided to organize one the “Legion of Purification”, as it turns out a fatal decision. After this defense force is sent out on an ill-advised additional attack on the alien, the alien or parts of it infiltrate the ship. The story then relates the conflict which emerges among inhabitants of the ship until it reaches a climax when “Joshua” has deluded himself into believing he is the “Salvation” of the expedition and murders Arch-Bishop Franklin. The “Cardinal” confronted with one of the aliens or a portion of the alien self-destructs himself and the ship. Only Sister Marianna, whose diary entries describing her own reactions to the events occurring, and Joan another woman escape in a casket module which in the last panels drifts into the heart of the alien which still drifts in space as a whole being.

An important aspect of this story is that, as one of the characters points out, the alien object or objects never kills any of the ship’s inhabitants. They are killed by their own fears and actions they take against each other. In addition, the alien is never identified. Is Motter implying that the individuals of the “St. Catherine Mission” actually encountered God who for all their professed faith they failed to recognize?

Star Reach 14 contains a colour epilogue.  It describes the fate of the members of sister ship St Mark.  They crash land on a planet which has a breathable atmosphere but is barren. At this point a spaceship containing aliens lands and meets them. Cardinal McGivern greets them but presents such a violent and aggressive view of the members’ Christianity that the aliens consider them a disease and abandon them to their fate rather than risk staying in contact with and helping them. Thus the second mission ends.

MEDIUM:

BOOK GRAPHIC:

Content novel & Cover dust jacket wraparound:

The Sacred & The Profane, Writ., Dean Motter. Illus., Ken Steacy. Eclipse Books, 1987.

PERIODICAL GRAPHIC ANTHOLOGY:

Content serial:

Star Reach, …: “The Sacred and the Profane”. Writ., Dean Motter: …. Colour wrap around covers where applicable. Black & white content except for colour epilogue in issue 14.
…, 9, June 1977: …: 1-26. Plus cover.

 

…, 10, September 1977: …: 9-23.

 

…, 11, December 1977: …: 1-19. Plus cover .

 …, 12, March 1978: …: 23-38.

 

…, 13, August 1978: …: 1-16.

 

…, 14, August 1978 (?): …: 17-24. Plus cover

GALLERY:

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\S\STEACY Ken, Sacred & Profane, dust jacket.JPG Illus., Ken Steacy. The Sacred & The Profane, 1987: Dust jacket wrap around.

COLLINS Katherine

COLLINS Katherine (Saba Arn)

“Making the world safe for musical comedy”                                                                 The motto of Neil The Horse

The life of this cartoonist, writer, historian stage performer, composer and media personality divides into two parts. In the first half he was identified as Arn Saba. In the second half she is Katherine Collins. But, under these two genders exists a single creative personality. In this entry I will use both names each associated with the creative work associated with that name.

Arn Saba/Katherine Collins was born in 1947.

He went to University of British Columbia on a creative writing scholarship. While there he worked of the university newspaper Ubyssey and created his first comic strip “Moral Man.”

In 1970 and 1972, in partnership with Gordon Fidler he produced two issues of the magazine, The Magenta Frog. Although much of the content is unidentified, in it we can still see Saba’s early efforts as a writer, illustrator, editor and compiler.

In 1977, he moved to Toronto where he worked extensively for the CBC. He created “Comic Strips: The Continuous Art” for the program Ideas. It aired beginning February 1979. He appeared frequently on Morningside, to talk about cartooning, and it was on this program that his radio play “Neil The Horse: Bananas Are Here To Stay.” was aired, about 1982.

He created “Neil The Horse” (See NEIL THE HORSE) and explored its use in cartoon strips, graphic periodicals, illustrated stories, radio plays, and musical theatre. His graphic style was inspired by Carl Barks and the early Disney animated shorts featuring “Mickey Mouse” etc. He also created “Eureka Street (See EUREKA STREET) based on where he lived in Toronto.

In 1982 he moved to California and about this time changed his identity to Katherine Collins.

WORK:

CARTOONIST, WRITER & ILLUSTRATOR:

BOOK GRAPHIC COLLECTION:

Cover:

Book front & back:

The Collected Arn Saba’s Neil The Horse. Conundrum Press, 2017.

Content:

The Collected Arn Saba’s Neil The Horse. Conundrum Press, 2017. The features in this compendium are gathered from the publications below.

CARTOONIST:

BOOK GRAPHIC ANTHOLOGY:

Content:

Story:

“Neil The Horse.” AV In 3D, 1-1, December 1984. Aardvark Vanaheim Inc.:17-20. This is a story done in a 3 Dimensional format.

“ Neil The Horse: Cannonball Wanted Apply Within.” Potlatch presents The 1980 Comics Annual. Ed., Ian Carr. Potlatch Publications, 1979: 52-53. (Colour). Subsequently appeared in Arn Saba’s Neil The Horse. 1-2, April 1983. (Black & white.)

“ Neil The Horse Goes To Hell.” Assist Dave Roman . Potlatch presents The 1980 Comics Annual. Ed. Ian Carr. Potlatch Publications, 1979: 114-117. Subsequently appeared in Arn Saba’s Neil The Horse. 1-1, Feb. 1983.

PERIODICAL GRAPHIC:

Content:

Advertising reprint:

Advertising for the first “Neil the Horse” story cartooned by Arn Saba in 1975. It was a feature in the Menomonee Falls Guardian newspaper.. Reprinted in Arn Saba’s Neil The Horse, 1-15, July 1988: 6-7.

Advertising for the second “Neil the Horse” story called “Creatures of Earth” cartooned by Arn Saba in 1976. It was a newspaper feature. Reprinted in Arn Saba’s Neil The Horse, 1-15, July 1988: 42.

Ideas &Projects:

The second half of Arn Saba’s Neil The Horse, 1-15, July 1988 showcased the new direction that Saba was taking the “Neil The Horse” concept. The first half of this periodical wrapped up the old “Neil The Horse”.

 

Story:

“Mam’selle Poupée.” Arn Saba’s Neil The Horse. 1-11, April 1985.

“Mam’selle Poupée & Neil the Horse.” Arn Saba’s Neil The Horse. 1-1, Feb. 1983.

“Mam’selle Poupée & Neil the Horse.” Arn Saba’s Neil The Horse. 1-2, April 1983.

“Neil The Horse: A Unique Story .” Cerebus, 1-44, Nov. 1982: 24-27. Subsequently appeared in Arn Saba’s Neil The Horse. 1-12, June 1985.

“Neil The Horse.” Arn Saba’s Neil The Horse. 1-14, July 1988.

“Neil The Horse Advertises Himself.” Cerebus, 1-45, Dec. 1982: 27. Subsequently appeared in Arn Saba’s Neil The Horse, 1-15, July 1988.

“Neil The Horse: Another Day At The Office.” Assist., David Roman. Arn Saba’s Neil The Horse. 1-12, June 1985:

“Neil The Horse Meets Mr. Coffee Nerves.” Arn Saba’s Neil The Horse. 1-3, June 1983.

“Neil The Horse: The Magic Balloon: A Unique Story.” Cerebus, 1-41, Aug. 1982:       24-27.    Subsequently appeared in Arn Saba’s Neil The Horse. 1-15, Aug. 1988: 2-5.

Story with music:

“Mam’selle Poupée & Fred Astaire: I Was Waiting For You.” Writ. Some Pen., & In., Arn Saba. Figure Pen., Barb Rausch. Assist. & backround In., David Roman. Arn Saba’s Neil The Horse, 1-13, Dec. 1986.

“Mam’selle Poupée & Neil the Horse: Night Suite.” Arn Saba’s Neil The Horse, 1-13, Dec. 1986.

“Neil The Horse: Video Warrior.” Arn Saba’s Neil The Horse.
Ch. 1: 1-4, Aug. 1983. Ch.: 2: 1-5, Nov. 1983. Ch. 3: 1-6, Feb. 1984. Ch. 4: 1-7, Apr. 1984.

Strip cartoon reprints:

Reprint. of Saba’s first cartoon story 1975. Arn Saba’s Neil The Horse. 1-14, June 1988: 8-41. It was featured in the Menomonee Falls Guardian newspaper.

“Neil The Horse.” Arn Saba’s Neil The Horse.
1-1, Feb. 1983: 15.

1-2, April 1983: 8-9, 23.

 1-3, June 1983: 11-12, 21.

1-10, Dec. 1984:18-19, 27.

 1-12, June 1985: 2, 16-17.

1-15, August 1988: 8-15, 26-31,

 

“Eureka Street.” Arn Saba’s Neil The Horse,
1-9, Sept. 1984: 18 &       Inside back cover. 1-10, Dec. 1984: 32 &        Inside back cover 1-12, June 1985: 8.

PERIODICAL GRAPHIC ANTHOLOGY:

Content:

Strip cartoon:

“Neil the Horse.” Charlton Bullseye, 1, June 1981. (Colour)

 

Story with music:

“Neil The Horse.” Charlton Bullseye, 2, July 1981. (Colour). Subsequently appeared as “Neil The Horse.” Arn Saba’s Neil The Horse. 1-8, June 1984. (Black & white.) (“Soft on You.” music & lyrics by Marie-Ann Hammond.)

NEWSPAPER:

The strips were syndicated from 1977-1979 by GLP Features an association of Ontario cartoonists. The strips were sold to weekly community newspapers. Some examples below.

Strip cartoon:

“Neil The Horse.” The Express {Meaford], 30 May 1979: 14.

“Neil The Horse.” The Money Stretcher, 16 May 1979: B6.

“Eureka Street.” Bargain Hunter, 11-44, April 10-17 circa 1980.

 

ILLUSTRATOR:

BOOK GRAPHIC ANTHOLOGY:

Cover:

Book:

Back: Potlatch presents The 1980 Comics Annual. Potlatch Publications, 1979. (Neil The Horse.)

BOOK TEXT & GRAPHIC ANTHOLOGY:

Content:

Activity:

“Neil The Horse and Soapy in Puzzleland.” Writ., (Puzzles) William Ettridge. Assist illus., Dave Roman. Canadian Children’s Annual, 1980. Ed., Robert F. Neilson. Potlatch Publications, 1979: 141-156.

PERIODICAL GRAPHIC:

Cover:

Front & Back: Arn Saba’s Neil The Horse.
1-1, Feb. 1983. 1-2, April 1983. 1-9, Sept. 1984. 1-12, June 1985. 1-15, August 1988.

 

Wrap around: Arn Saba’s Neil The Horse.
1-3, June 1983.

1-4, August 1983

1-5, Nov. 1983.

 1-6, Feb. 1984.

1-7, April 1984.

1-8, June 1984.

 1-10, Dec. 1984.

1-11, April 1985.

 1-13, Dec. 1986.

1-14, July 1988.

Content:

Activity:

“Soapy’s Cross Words (and Puzzle) by Nosilla Niabcm.” Writ., Nosilia Niabcm. Arn Saba’s Neil The Horse. 1-8, June 1984.

Paper doll:

“Great Women of ze Comics.” Illus., Arn Saba. Costume illus., Barb Rausch. Arn Saba’s Neil The Horse. 1-1, Feb. 1983. (Great women are: Daisy Mae, Sheena & Little Orphan Annie).

“Great Women of the Comics.” Illus., A. Saba. Costume illus., B. Rausch. Arn Saba’s Neil The Horse. 
1-2, April. 1983. (Great women are: Rosie Ze Riveter, Katy Keene & Mama Katzenjammer.).

1-3, June. 1983. (Great women are: Modesty Blaise, Red Sonja & Dragon Lady).

1-4, August 1983. (Great women are: Lil Lulu, Leetan & Phantom Lady).

1-5, Nov. 1983. (Great women are: Dale Arden, Betty Boop & Miss Fury).

1-6, Feb. 1984. (Olive Oyle & Miss Mizzou)

“Mam’selle Poupée Salutes Katy Kon 83.” Arn Saba’s Neil The Horse. 1-8, June 1984.

“Poupée’s Summer Sun Fun Wear.” “Florida Fashion’s 1-6” by Scott Johnson. “Summer of ’85

Fashions” by David Puckett. “Additional Fashions & Rendering.” By Barb Rausch. Arn Saba’s Neil The Horse. 1-12, June 1985:

Portrait:

Character designs for the Hogan’s Alley All-Stars. Arn Saba’s Neil The Horse. 1-13, Dec. 1986.

“Advertisement for the Groovy San Diego Con ’83.”. Arn Saba’s Neil The Horse. 1-12, June 1985: 26.

“Mam’selle Poupée & Fred Astaire.” Arn Saba’s Neil The Horse. 1-11, April 1985: 1.

“Making The World Safe For Musical Comedy” Arn Saba’s Neil The Horse. 1-12, June 1985: 26.

“Making The World Safe For Musical Comedy” Arn Saba’s Neil The Horse. 1-12, June 1985: Back cover..

“Scene in an Alien Discotheque.” Arn Saba’s Neil The Horse. 1: 1-9, Sept. 1984: 28.

“This Looks Like A Job For Musical Comedy.” Arn Saba’s Neil The Horse. 1-12, June 1985: 26.

TAPE AUDIO CASSETTE:

Artwork:

Neil The Horse: Bananas Are Here To Stay. Neilcorp, 1986.

WRITER:

BOOK GRAPHIC ANTHOLOGY:

Content:

Story:

“The Return of the Magician.” Layout, Arn Saba. Assist., Lois Atkinson. Finished Art., Don Inman. The 1980 Comics Annual. Ed., Ian Carr. Potlatch Publications, Ltd., 1979: 1-8..(Coloured). Subsequently appeared in Arn Saba’s Neil The Horse. 1-12, June 1985. (Black & white)

PERIODICAL GRAPHIC ANTHOLOGY:

Content:

Story:

“Dance Class.” Illus., Trina Robbins. Col., Maria Severin. Title, Tom Orzechowski. Anything Goes!, 4, May 1987: 5-7.

“The Perfect Guy.” Pen. & Let., Jacques Boivin. In., Bernie Mireault. Jacques Boivin’s Love Fantasy, 1-1, May 1987. (In this story Boivin gives a visual tribute to Saba’s cartoon strip “Eureka Street.)

PERIODICAL TEXT & GRAPHIC ANTHOLOGY:

Content:

Interview:

“Harold Foster: Drawing Upon History.” The Comics Journal, 102, September 1985: 61-84.

“Milton Caniff.” The Comics Journal, 108, May 1986: 60-102.

RADIO:

Program:

Ideas CBC-FM Network February 1979:

“Comic Strips The Continuous Art” Producer: Max Allen. Programs 1. “The Aesthetics of Trash”. 2. How To Read Comics”. 3. “But Is It Art?” 4. “The Great Romancers”. 5. “Superheroes & Marvel Comics”. 6. “Art As Sausage”.

Morningside circa 1982.

Neil The Horse: Bananas Are Here To Stay. See information associated with the audio tape below.

WRITER & ILLUSTRATOR:

BOOK TEXT & GRAPHIC ANTHOLOGY:

Content:

Story:

“The Bananaburg Players present: The Buried Moon.” Canadian Children’s Annual, 1981. Ed., Robert F. Neilson. Art Dir., Mary Tach. Potlatch Publications, 1980: 22-26. (Subsequently in Arn Saba’s Neil The Horse. 1-2, April 1983.)

PERIODICAL GRAPHIC:

Content:

Poetry:

“No title.”. Arn Saba’s Neil The Horse. 1-1, Feb. 1983.

“No title.”. Arn Saba’s Neil The Horse. 1-6, Feb. 1984: Back cover.

Story:

“Neil The Horse in Old New France.” Assist. & costume design, Barb Rauch. Arn Saba’s Neil The Horse.
Pt. 1: 1-1, Feb. 1983.

Pt. 2: 1-2, April 1983.

 Pt. 3: 1-3, June1983.

Pt. 4: 1-4, August 1983.

 Pt. 5, 1-5, Nov. 1983. Pt. 6, 1-6, Feb. 1984.

“Break It To Make It.” Arn Saba’s Neil The Horse. 1-9, Sept. 1984.

WRITER & PENCILLER:

PERIODICAL GRAPHIC:

Content:

Story:

“Neil The Horse: “Sur Toits de Bananaburg.” In., Warren Greenwood. Arn Saba’s Neil The Horse. 1-1, Feb. 1983.

“Mam’selle Poupée as suggested by Katannya Jantzen, age 10.” In., Warren Greenwood. Fashion & Layout: Barb Rauch. A “Unique Story” in Cerebus, 1-45, Dec. 1982: 24-26.

WRITER & INKER:

PERIODICAL GRAPHIC:

Content:

Story:

“Mam’selle Poupée: Congratulations! You’re in the Show!” Pen., Barb Rausch. Assist., David Roman. Arn Saba’s Neil The Horse. 1-11, April 1985.

Neil The Horse 2 part story:

“The Hour Of the Hand of the Shadow Fiend from the Forgotten Blood-Cursed Crypt!!?! Pen., Barb Rausch. Arn Saba’s Neil The Horse. 1: 1-9, Sept. 1984.

“Night Of the Flames of Wrath At The Lost Temple Of The Talons Of Fear And Death.” Pen., Barb Rausch. Assist, Dave Roman. Arn Saba’s Neil The Horse. 1: 1-9, Sept. 1984.

COMPOSER:

PERIODICAL GRAPHIC:

Content:

Music & Lyrics:

“Another Highway Song.” Arrangment., Pete McCabe. Arn Saba’s Neil The Horse, 1-3, June 1983.

“Wind That Shakes the Barleycorn.” Arr., P. McCabe. Arn Saba’s Neil The Horse, 1-12, June 1985.

Music & Lyrics for stories:

“Mam’selle Poupée: Congratulations! You’re in the Show!” Arn Saba’s Neil The Horse. 1-11, Apr. ‘85.
“Congratulations! You’re in the Show!” Arrange., G.P. Graham.
“Mam’selle Poupée / Fred Astaire: I Was Waiting For You.” Arn Saba’s Neil The Horse, 1-13, Dec. 86.
“I Was Waiting For You.” 1985. Arrange., Pete McCabe.
“Mam’selle Poupée & Neil the Horse: Night Suite.” Arn Saba’s Neil The Horse,1-13, Dec. 1986.
“Does Love Live in the Night?.” 1985. Arrange., Pete McCabe.

“The Downbeat.” 1985. Arrange., G.P. Graham.

“Nothing.” 1985. Arrange., Pete McCabe.
“Neil Goes To Hell.” Arn Saba’s Neil The Horse. 1-1, Feb. 1983.
“The Devil’s Interlude.” 1982. Arrange., Pete McCabe.
“Neil The Horse In Old France.” Arn Saba’s Neil The Horse. 1-2, April 1983.
“Those Who Marry.” 1982. Arrange., Pete McCabe
“Video Warrior.” Arn Saba’s Neil The Horse.
“The Reason.” 1983. Arrange., Pete McCabe. 1-4, August 1983

“Here I am Falling in Love with You.” Arrange., G. P. Graham. 1-5, Nov. 1983.

“Bananas are Here to Stay.” Arrange., G. P. Graham. 1-6, Feb. 1984.

“With You.” Arrange., Pete McCabe. 1-7, Apr. 1984.

TAPE AUDIO CASSETTE:

Content:

Neil The Horse: Bananas Are Here To Stay: Ten songs from Arn Saba’s Neil The Horse . Composer Arn Saba, 1986.Arrange & Production, Steve McKinnon. Neilcorp, 1986.

Voices: Mam’selle Poupée, Wanda Cannon; Soapy, Scott Walker; Neil, Arn Saba also Victor Young; Laurie Hood & Doug Tranquada. Tap dancing: Lesley Ballantyne. Hogan’s Alley All-stars: Keyboards, Steve McKinnon; saxophone & clarinet, Bob De Angelis; trombone, Herb Besson, violin Bill Richards, guitar, Peppy Francis, bass, Dave Piltch, percussion, Dave Campion, drums Barry Keane, emulator operator, Claude Desjardin.

CO-WRITER:

PERIODICAL GRAPHIC:

Content:

Story:

“No title.” Co-writ., Barb Rausch. Pen., Barb Rausch. Arn Saba’s Neil The Horse. 1-8, June 1984.

PRODUCER

The Magenta Frog Magazine, Published in conjunction with Talonbooks. March 1970.

The Second Magenta Frog Magazine, Published in conjunction with Talonbooks. November 1972.

.

SOURCE:

Periodical text:

“Arn Saba, Part 1.” Interviewer, Mark Shainblum. Comic Interview, 19, Jan. 1985: 7-17.

“Arn Saba, Part 2.” Interviewer, M. Shainblum. Comic Interview, 20, Feb. 1985: 12-23.

“Back in the Saddle.” Writ., Conan Tobias. Quill & Quire, May 2017: 14-18.

Newspaper:

“Here’s your guide to superheroes of Canadian comics.” Toronto Star, 27 February 1987: D6.

GALLERY:

See NEIL THE HORSE & EUREKA STREET

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE OF PERSON\S\SABA Arn, COLLINS Katherine, My olympic swimming medal.jpg                        Katherine Collins is inducted into the “Giants Of The North” at the Toronto Cartoon Arts Festival May 13-14, 2017.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE OF PERSON\S\SABA Arn, COLLINS Katherine, The old washerwoman makes her speech.jpg                        Katherine Collins gives an acceptance speech for induction into the “Giants Of The North” at the Toronto Cartoon Arts Festival May 13-14, 2017.

C:\Users\Robert\Documents\CARTOONING ILLUSTRATION ANIMATION\IMAGE BY CARTOONIST\S\SABA Arn, Bargain Hunter, 11-44, Apr 10-17 1980 fc.jpg                A rare instance of Arn as an editorial cartoonist. Bargain Hunter, 11-44, April 10-17, 1980: Front cover.